A Quote by Shawn Michaels
When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.
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With dancing, you have to know spatial movement with somebody. It is steps. It's literally steps and knowing how close to be or how far away. You have to have the beat in the right place with the camera.
If a bout of "creepy face" sets in, the trick is to look away from the camera between shots and turn back only when necessary. This also limits how much of your soul the camera can steal.
As soon as I made it about being healthy and shifted my focus away from the scale, the weight started to come off. I keep track of my body by how my jeans fit - and how I feel.
The thing that I still come back away with is how close so many people feel to the mountain [Mt. Rainier] emotionally and psychically, and yet how far away the world is when you're on the mountain.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
If you were God’s children you would loathe the very thought of the world’s evil joys, and your question would not be, “How far may we be like the world?” but your one cry would be, “How far can we get away from the world? How much can we come out from it?
When they separated, the freckleless spot between Pete's eyes was bright red. Before anything else could be said or done, May grabbed her bike and hopped on. She waited until she was six houses down to turn and see if he was still standing in the driveway watching her. He was. She stopped for just a moment, and they caught each other's eyes. Then he slowly started walking backward toward the house. May couldn't see that well, considering that her eyes were still a little blurry and he was far away, but it looked like he was smiling.
TV helped me understand camera angles, close-ups, master shots.
[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.
On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
My eyes adored ya
Though I never laid a hand on you
My eyes adored ya
Like a million miles away from me you couldn't see how I adored ya
So close, so close and yet so far
When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
I know how much money goes into every minute of production and how many people are counting on me, so I don't ever want to be one to let anyone down.
Ever since I did that 57.9 last year, the Americans have been analysing me in detail. You can see on the swimming web pages. They are breaking it down in every detail. How many strokes I take. How quick I am in and out of the wall.
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