A Quote by Shekhar Kapur
When I go out to direct a film, every day we prepare too much, we think too much. Knowledge becomes a weight upon wisdom. You know, simple words lost in the quicksand of experience.
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I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Once innocence--an all too-brief state of being, if such a one exists--encounters experience, it is transformed. If that transformation is understood, it becomes knowledge. And if that knowledge is employed, then it becomes wisdom.
War makes monsters of men, you once said to me Todd. Well, so does too much knowledge. Too much knowledge of your fellow man, too much knowledge of his weakness, his pathetic greed and vanity, and how laughably easy it is to control him.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
I think I lost too much weight during 'Khubsoorat.'
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
I drink too much, I smoke too much, I take pills too much, I work too much, I girl around too much, I everything too much.
I had a couple years of depression. I started drinking too much. I had to up my antidepressants. I cried all day, every day, and I lost weight. But I had to take care of two kids. It wasn't about me anymore.
I have always smoked and drunk and loved too much. In fact I have lived not too long but too much. One day the Iron Crab will get me. Then I shall have died of living too much.
Okay, if this is what falling in love feels like, someone please kill me now. (Not literally, overzealous readers.) But it was all too much - too much emotion, too much happiness, too much longing, perhaps too much ice cream.
Democracy is talking itself to death. The people do not know what they want; they do not know what is the best for them. There is too much foolishness, too much lost motion. I have stopped the talk and the nonsense. I am a man of action. Democracy is beautiful in theory; in practice it is a fallacy. You in America will see that some day.
Sometimes I find it too hot to run, and sometimes too cold. Or too cloudy. But I still go running. I know that if I didn't go running, I wouldn't go the next day either. It's not in human nature to take unnecessary burdens upon oneself, so one's body soon becomes disaccustomed. It mustn't do that. It's the same with writing. I write every day so that my mind doesn't become disaccustomed.
If you go too small, you can't get the performance you need out of the small little parts. And if you go too big, the puppet gets difficult to move, because it's too heavy, and there's too much material, and it becomes this exercise in just moving these massive parts around. So there is a natural scale that makes sense for stop-motion.
We as a people, as a state, and as a community, have too much promise, too much potential, and too much at stake to go any other way than forward. We are too strong in our hearts, too innovative in our minds, and too firm in our beliefs to retreat from our goals.
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