A Quote by Shelby Lynne
Imagery is the most important to me when singing stories. I try to paint pictures with the words and decorate with little to no singing....let the song do the work.
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When I'm on a stage, it's just me, singing a song with words that I wrote and I believe in. And if I don't believe in them anymore, I'll stop singing that song.
Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.
Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.
Singing didn't really come naturally to me, I don't think. I had to really work at it. I just kept singing. I never was really worried about it, though, because I was writing songs, and that was the most important thing to me.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
It's up to to you to perfect that gift that you've been given. Put your spirit into that song. Focus on the words that you are singing. Get into the experience that you are singing about and sing your heart out.
Last season when I was on set...for some reason I had The Battle Hymn of the Republic in my head but I didn't know all the words. It was one of those songs you had to learn when you were younger. It wasn't as important for people raised in the 80's and 90's as it was to people raised in the 50's, 60's and 70's so when I started singing "My eyes have seen the glory of the coming of the Lord," Jane [Fonda] heard me singing it and started singing the rest of it. Suddenly everyone on set everyone was singing. That's just something I can keep in my heart forever.
My mum said I used to sing on the bus. I was about five and would simply sit, staring out of the window, singing to myself. When I got to the end of the song and everyone gave me a round of applause, it scared me because I was in my own little world, but I obviously loved singing even then.
Everywhere was singing, all over the house was singing, and outside the house was alive with singing, and the very air was song.
You try to stay in the moment and act like you're singing the song for the first time. You try to have a good time yourself. That's the most important thing. If you're having a good time, people will join you.
By the 6th grade I stopped doing ordinary things in front of people. It had been ordinary to sing, kids are singing all the time when they are little, but then something happens. It's not that we stop singing. I still sang. I just made sure I was alone when I did it. And I made sure I never did it accidentally. That thing we call 'bursting into song.' I believe this happens to most of us. We are still singing, but secretly and all alone.
When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
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