A Quote by Shenaz Treasury

I started doing American films and TV before Priyanka, but of course I do small roles in big films, and I don't have the publicity machine working around me. — © Shenaz Treasury
I started doing American films and TV before Priyanka, but of course I do small roles in big films, and I don't have the publicity machine working around me.
I had no ambitions to become an actor, whatsoever. I was just waiting for my films to get made and some friends of mine, out of the kindness of their hearts, because I was sitting around doing nothing, started casting me in small roles and the roles got bigger.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects
I'd rather do theater and British films than move to L.A. in hopes of getting small roles in American films.
I'd rather do theatre and British films than move to L.A. in hopes of getting small roles in American films.
I don't want to do roles in films which I have already done on TV. What is the point of jumping to films and doing the same thing?
There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.
I choose my films in a way that helps me do justice to all of them. Also, I like doing time-consuming films like 'Baahubali'; it's sometimes more rewarding than doing lots of small films.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
Good female parts are hard to come by, so I go all over the place to find them: cable TV, network movies of the week, foreign films, independent American films, studio films, the stage.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
Looking back on the long haul in my career, little films, big films, TV, the Western thing has been really good to me.
Many films you see in theaters are financed through outside sources. With big films, the studio will pay, hoping to reap the reward of their big bet. But with medium and small-sized films, outside production companies and financiers often foot the bill.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
This site uses cookies to ensure you get the best experience. More info...
Got it!