A Quote by Sherry Turkle
What I'm seeing is a generation that says consistently, 'I would rather text than make a telephone call.' Why? It's less risky. I can just get the information out there. I don't have to get all involved; it's more efficient. I would rather text than see somebody face to face.
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They would make the 'Church ' their great meeting-point, rather than the Atonement of Christ. As far as my experience goes, they have more devoutness and less devotion, more fear and less love, more feeling of duty than of desire, laying more stress on Phil. ii. 12 than ver. 13, and in practice working upon the intellect and imagination rather than aiming at the heart, skirmishing among the outworks rather than assaulting the citadel.
I have never received a telephone call that justified the excitement and fuss of the electronics involved. If I can't see somebody I love, for instance, such as a daughter, or a son, I would rather receive a letter.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
The more I think about our species the more I think we just do stuff and make up explanations later when asked. But it's not true that I would rather write than read. I would rather read than write. To be honest I would rather hang upside down in a bucket than write.
Teenagers would rather text than talk. They feel calls would reveal too much.
Trump doesn't force the networks to show his rallies live rather than do real reporting. Nor does he force anyone to accept his phone calls rather than demand that he do a face-to-face interview that would be a greater risk for him.
Besieged by lawsuits that threatened to engulf almost everyone at the White House, Clinton assistants shunned paper or e-mail records of their daily deliberations. One told me that he would go down the hall to confer with his division chief face to face rather than discuss an issue on the telephone.
People respond faster to you on a text than an e-mail. Why is that? Why will they ignore an e-mail, but get back to a text?
The abbot told me once that lying was a betrayal to one's self. It's evidence of self-loathing. You see, when you are so ashamed of your actions, thoughts, or intentions, you lie to hide it rather than accept yourself for who you really are. The idea of how others see you becomes more important than the reality of you. It's like when a man would rather die than be thought of as a coward. His life is not as important to him as his reputation. In the end, who is the braver? The man who dies rather than be thought of as a coward or the man who lives willing to face who he really is?
If you could use the Internet somehow to see how a Fiji sailor is doing, rather than having to read a text version of it somewhere a day later, that would be great.
I would rather die than see my face in a car advertisement.
We have more information - a glut of information - than ever before, and perhaps less knowledge. That's what's peculiar. And the only way you can deal with it, I suppose, is to make fun of it. I would rather watch Comedy Central for the news than I'd like to watch any other program on television. Maybe that shows you the state of affairs.
The largest fear in the world is to speak in public. We fear of stumbling, or public humiliation, and so we're fearing a face-to-face rejection. So, we'll say things in a text or e-mail that we would never say face-to-face. So, relationships are coming together faster and breaking apart faster, and they're a little bit more disposable.
It's true that interacting through text means no eyelines, no facial expressions, no tone of voice. That can be an advantage, helping us to consider content rather than eloquence, import rather than source.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
For the second series of 'Luxury Comedy', I tried to drop the 'Noel Fielding' from it. I thought that would make it less like a solo project and more like a show. Also, it would probably have been easier to take the reaction to the first series if it had been a project rather than my name and face!
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