A Quote by Simon Rattle

One of the most difficult things in opera is for people to suspend disbelief. — © Simon Rattle
One of the most difficult things in opera is for people to suspend disbelief.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.
In listening to stories we tend to suspend disbelief in order to be entertained, whereas in evaluating statistics we generally have an opposite inclination to suspend belief in order not to be beguiled.
One of the hardest things to believe is that anyone will abandon the effort to escape a charge of murder. It is extremely important to suspend disbelief on that. If you don't, the story is spoiled.
You can't really do a big character in an action film; you're already suspending your disbelief in the action, then to suspend your disbelief in the character is too much.
One of the reasons wrestling works is because it allows people to suspend their disbelief. They may know it's not real, but if it's done well enough, they get sucked into it emotionally. And that's why they watch.
The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.
With theatre, we all agree to suspend our disbelief about so many things, but not about race. It's totally OK to have one actor playing five roles - people are willing to believe that. But they won't believe it if there's a black or an Asian kid who has white parents. What does that say about us?
I just invited close friends and family, the usual suspects whose opinion I value but who I know will enjoy the film [Before I Go To Sleep]. I don't know how difficult it is for them to suspend their disbelief because they obviously know me and what they're seeing is not me.
The art of movies is to allow the audience to suspend their disbelief. They need to use their imaginations.
I'm a great audience. I cry very easily. I suspend disbelief in two seconds.
No one thinks Las Vegas is real; it is illusion, but visitors willingly suspend disbelief and pretend.
In order to have faith, or follow any other organized religion, I'd have to suspend a degree of disbelief.
Suspend for a moment your disbelief and encounter once again the sense of wonder you knew when there was... magic!
I think audiences have hit the wall with CGI and special effects. They have seen so many over-the-top events that they can't suspend disbelief.
There’s something really powerful about groups and shared experiences. People might be skeptical about their ability to change if they’re by themselves, but a group will convince them to suspend disbelief. A community creates belief.
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