A Quote by Simon Rattle

Conductors start getting good when everybody else retires. — © Simon Rattle
Conductors start getting good when everybody else retires.
Good conductors know when to push and when to lay back. I've known so many great conductors that I'm still doing what I can to learn the craft of this role.
My whole life I saw everybody else get shine, I saw everybody else get money, everybody else wanted to rap. I saw them getting record deals and stuff like that. And everytime I saw that it was damn, I can't wait until my time.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
Conductors make too much fuss about conductors! Humility and hard work are virtues. We're nothing without our musicians.
I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
And when things start to go wrong, a good boss doesn't just fire everybody and start over.
Once you start lying, you get kind of comfortable. You start believing it. Especially if you truly believe you didn't really cheat because you were doing what everybody else was doing.
I mean, I've always been a libertarian. Leave everybody alone. Let everybody else do what they want. Just stay out of everybody else's hair.
Composers are not all good conductors.
I think I've always wanted to be different from everybody else. I get really annoyed when I do something and everybody else does it too, or if I'm doing something that everybody else is doing.
Seeing the ball go in during the game, getting to your spots, getting spot-up shots. You have that rhythm and you have that confidence in yourself. And everybody else has that confidence in you too, more importantly.
Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.
I wanted to start with a very small role, to get my feet wet. I'm sure I'm not as good or as experienced as other actresses, but everybody has to start somewhere.
They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.
We've all got to make sure we're all pulling in the same direction. That's what's going to keep us ahead of the ball. As soon as we start getting in the opposite direction, that's when we start getting behind, and the results will start to show.
When you become a top player, you think that nothing else and nobody else matters. You can tell everybody on earth, 'Listen, I'm playing tennis, I don't have time for you. I'm in the semifinals of the U.S. Open, screw everybody and everything else.'
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