A Quote by Sir John Woodroffe

Western people often see obscenity where there is only symbolism. — © Sir John Woodroffe
Western people often see obscenity where there is only symbolism.
Whenever I write, I write what I find to be the way people are. I never use any symbolism at all, but if you write as true to life as you possibly can, people will see symbolism. They'll all see different symbolism, but they're apt to because you can see it in life.
It showed a kind of obscenity you see only in nature, an obscenity so extreme that it dissolves imperceptibly into beauty.
The concept of 'obscenity' is tested when one dares to look at something that he has an unbearable desire to see but has forbidden himself to look at. When one feels that everything that one had wanted to see has been revealed, 'obscenity' disappears, the taboo disappears as well, and there is a certain liberation.
When you have spent an important part of your life playing Let's Pretend, it's often easy to see symbolism where none exists.
As I have pointed out, it is the Christian tradition that is the most fundamental element in Western culture. It lies at the base not only of Western religion, but also of Western morals and Western social idealism.
Being 'out and proud' can feel like a real luxury of Western culture, where people are often white and see existing white gay people in their culture. That's a kind of privilege people don't know they possess.
[Winning the White House was an achievement], but as an African-American, [Barack Obama], I think the symbolism is in how he conducted himself. The symbolism was in - and this sounds really, really small, but it's actually big for African-Americans - the symbolism was not in being an embarrassment, but to being a figure that folks were actually proud of.
I don't know a whole lot about symbolism. There seems to me to be a potential danger in symbolism. I feel more comfortable with metaphors and similes.
There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.
It is one of the perceptual defects of Western government and press to assign Western-style motives to what people do in non-Western societies, as if these are universally relevant.
I loved Westerns for different reasons as an adult. It is not only our only native brand of storytelling - the only one that's not influenced by Europeans and not something that's done better by the French - but I also love the sensuality of the Western. The sights, sounds, and smell of a Western are very exciting.
The rise of the prosperity gospel is one of the great challenges to the true message of Jesus Christ. While not an expressly Western problem, the promises of this false teaching are often deeply rooted in Western materialism and worldly wealth. Teachers focus on a temporal reward as evidence of God's blessing, often ignoring the greater issues of justice, reconciliation, and redemption so needed in the world today.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
People often say that videogames made by Western developers are somehow different in terms of taste for the players, in comparison with Japanese games. I think that means that the Western developers and Japanese developers, they are good at different fields.
Ever since the Crusades, when Christians from western Europe were fighting holy wars against Muslims in the near east, western people have often perceived Islam as a violent and intolerant faith - even though when this prejudice took root Islam had a better record of tolerance than Christianity.
Commercial speech is like obscenity... we can't seem to define it, but we know it when we see it.
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