A Quote by Soha Ali Khan

It was very important for me to work in an office environment because I wanted the knowledge and experience of working in a team. That would help me as a human being. But I have always wanted to do films. It was instinctive.
One of the reasons I wanted to start a company is because I wanted an environment that I wanted to work in. I wanted people to be able to have a life - for it to be OK to leave for a lacrosse game or a doctor's appointment. So I think women do work differently; it's important to have both men and women. They offer different things.
For some reason, I always wanted to work in an environment where things weren't so good. I'm no messiah, but I always wanted to try and make a difference where a team hadn't prospered.
I've always wanted to be a part of the 'Star Wars' world; the films were very important to me. All my older cousins were huge fans, and I wanted to belong to that community.
I always knew that I wanted to work and I knew I wanted to be a singer and an actor. I knew that every choice I made would help me get to that point. So the better the choices I made, the more of a chance I would have to get to where I wanted to be.
I think I've had a fairly meandering career. Because I did start so young, I think that I've always chosen my parts based on what's interesting to me and what I think would be challenging or fun, or someone I've always wanted to work with or a place I've always wanted to work in or a topic.
When Russell was out, you stepped your game up for me, for the team. There were nights where you made me look way better than I am. You clean up so many of our mistakes, man, and we appreciate that. From everybody on the team, we appreciate that, man, and I thank you so much for giving me confidence when I didn't have it, for always being there when I wanted to talk to you, when I wanted to call, for arguing with me all the time, making me better, and realizing I'm not always right. Thank you, man. I appreciate you.
I always wanted to be an actor. It's something I always secretly wanted. You know, I had the experience of being picked on as a child, and I would tell people, 'You're gonna be sorry when I'm famous!' And then I learned after they kicked the stuffing out me that you don't say that out loud.
Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
I still wanted to race in Formula One, for a correct team, a nice team, one that is professional, where you would feel important. But there was no position for me to carry on, so I felt if that opportunity wasn't there, then it would be better for me to stop, and start thinking about doing different things.
I think just what my parents instilled in me was hard work and being able to always go out there and focus and be 100%. I took that work ethic into the NFL and everyday I always gave 100% and never wanted anything to be handed to me. I wanted to earn it. And every time I stepped on that football field during practice I wanted to leave that football field with learning something about what the practice was about for me that day...
When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.
Racquetball was always number one but when our first child was born things I thought I cherished weren't as important. You put yourself in a position to win, but now you're extra careful. Because I never wanted my kids to see me losing. I wanted them to remember me winning...thought that would be cool.
I felt that working at an office from the early morning was impossible for me. Anyway, I wanted to be free from that lifestyle as soon as possible. I wanted to take it easy.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
My dad really wanted to work in Tokyo and he made it happen. That's important in the way that I grew up. If my parents wanted to do something, then they would do it, and they always push me to try things, to not be afraid of changes and to go out in the world and not be bound by what we're supposed to do.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
This site uses cookies to ensure you get the best experience. More info...
Got it!