If measure and symmetry are absent from any composition in any degree, ruin awaits both the ingredients and the composition... Measure and symmetry are beauty and virtue the world over.
The law of right-left symmetry was used in classical physics but was not of any great practical importance there. One reason for this derives from the fact that right-left symmetry is a discrete symmetry, unlike rotational symmetry, which is continuous.
Beauty is rather a light that plays over the symmetry of things than that symmetry itself.
Human happiness seems to consist in three ingredients; action, pleasure and indolence. And though these ingredients ought to be mixed in different proportions, according to the disposition of the person, yet no one ingredient can be entirely wanting without destroying in some measure the relish of the whole composition.
Nothing in physics seems so hopeful to as the idea that it is possible for a theory to have a high degree of symmetry was hidden from us in everyday life. The physicist's task is to find this deeper symmetry.
I know that I'm an animal that displays bilateral symmetry. I understand that one side should be the mirror of the other, and that human perceptions of beauty are intimately associated with symmetry. For example, I am very handsome.
In youth, it is common to measure right and wrong by the opinion of the world, and in age, to act without any measure but interest, and to lose shame without substituting virtue.
Tidiness is a virtue, symmetry is often a constituent of beauty.
Improvising is writing, too - there was no music and now there's music. So that's composition. And any time you take any sort of a performance liberty, you're making a compositional choice. I don't know a serious performer who hasn't made compositional decisions, who hasn't engaged in the art of composition.
The chief forms of beauty are order and symmetry and definiteness, which the mathematical sciences demonstrate in a special degree.
Digital mechanics predicts that for every continuous symmetry of physics there will be some microscopic process that violates that symmetry.
Our notion of symmetry is derived form the human face. Hence, we demand symmetry horizontally and in breadth only, not vertically nor in depth.
A war minister is able to force the adoption of any measure desired by the Camp or to block any measure that meets his disapproval.
Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
If we consider what science already has enabled men to know-the immensity of space, the fantastic philosophy of the stars, the infinite smallness of the composition of atoms, the macrocosm whereby we succeed only in creating outlines and translating a measure into numbers without our minds being able to form any concrete idea of it-we remain astounded by the enormous machinery of the universe.
Virtue is the music of the soul, the harmony of the passions; it is the order, the symmetry, the interior beauty of the mind; the source of the truest pleasures, the fountain of the sublimest and most perfect happiness.
So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design.