A Quote by Soledad O'Brien

I think what I love about the documentary process is that you bring yourself to the documentary. And hopefully that makes you ask good questions, and hopefully that makes you reveal a little bit about yourself as well.
Hopefully, great science fiction films help you think about issues that relate to yourself, whether it's: What's my purpose? Why am I here? What is it that makes me who I am? Those are the kind of questions my favorite science fiction films ask.
When you're making a real documentary, you shoot it and the movie happens. You don't make - this sounds corny - you don't make a documentary, a documentary makes you. It really does.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
Hopefully I've given something back to darts, which has been brilliant to me. Hopefully I made it a bit popular when I first started; I was part of the breakaway, and I also created a monster, so I think I've done a little bit.
To the documentary director the appearance of things and people is only superficial. It is the meaning behind the thing and the significance underlying the person that occupy his attention... Documentary approach to cinema differs from that of story-film not in its disregard for craftsman-ship, but in the purpose to which that craftsmanship is put. Documentary is a trade just as carpentry or pot-making. The pot-maker makes pots, and the documentarian documentaries.
I like being out onstage in front of everybody, getting that energy and giving that energy. Hopefully I am making them forget about all their problems in the world. For however many hours they are at our show, hopefully they are going to have a great time, and it makes life a little more bearable for everybody involved.
I'm not somebody who comes in with a whole outline, and says, "Here's the movie we're going to make." That's not what a documentary is for me. I think a documentary is about capturing events as they unfold in real time.
But one of the amazing things about documentary is that you can remake it every time you make one. There is no rule about how a documentary film has to be made.
Every time you are getting ready to make a shot in a documentary film, you are asking yourself questions about your cinematographic approach. You are approaching the truth, but the image is never the truth itself.
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.
What is interesting to me about film, and documentary film in particular, is that I can write about these people, and you trust my judgment, more or less, but when you're confronted yourself with humans who are right there on the screen telling you their story, you make a judgment yourself that is conclusive.
I'm organizing documentary films, and whenever scriptwriting gets too tedious I go to my editing room and start to edit the documentary, even if I don't have the full funding yet. So you have to keep yourself busy, you have to like the subject matter.
Sascha is an unbelievable player; he's going to be a champion. Hopefully, I can get there one day. Hopefully, I can get to his level. I mean, he's still better than me. But I'll keep working hard, and hopefully we could start a little bit of a rivalry.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
Think about a night like that often enough, you'll ask yourself a lot of questions. Most of them about yourself. The kind of person you are. What you'll do and why and when you'll do it. What you believe in. What you really believe in.
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