A Quote by Sunny Singh

I would accompany my dad to his film's sets. I especially remember going with him on the sets of 'Vijaypath.' — © Sunny Singh
I would accompany my dad to his film's sets. I especially remember going with him on the sets of 'Vijaypath.'
My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.
Wine sets even a thoughtful man to singing, or sets him into softly laughing, sets him to dancing. Sometimes it tosses out a word that was better unspoken.
Excalibur' was a quest for my father. I remember it was manic on the film set. And we had these massive castle sets. I think my dad was under tremendous pressure making the movie because there was so much going on. I remember it was a hard one to make - a lot of stress and strain.
Dad used to accompany me to the sets. Soon, he realized there is nothing to worry about and now I am on my own.
If I wanted to get my arms as big as I could possibly get them, I would probably do around 20 sets of 4 exercises and 5 sets each for the triceps and 20 sets for the biceps per workout 3 times a week. That would be around 60 sets of triceps and 60 sets of biceps work per week. I would keep the reps between 6 and 8 and I would do all basic movements where I'd handle as heavy a weight as possible. I'd consume nutritious food that had calories in and just flat out eat!
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
I have these memories of watching my dad thoroughly enjoying his work and I would have so much fun on the sets.
Death has nothing to do with going away.The sun sets The moon sets But they are not gone.
When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
No one set that I ever do is the same. I mean, if I go to a comedy club, and I perform three sets, all three sets are different because anything can happen in between sets.
When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!
The standard "foundation" for mathematics starts with sets and their elements. It is possible to start differently, by axiomatising not elements of sets but functions between sets. This can be done by using the language of categories and universal constructions.
My very first film in Hindi - 'CID' - was with Dev Anand. I was a big fan of his. So you can imagine my excitement and nervousness at doing a film with him. On the very first day on the sets, when I called him 'Dev Saab' he turned around and said 'No no, call me Dev.'
I've always wanted to act and I grew up a little on film sets when my dad was working as an actor.
For months before he passed, my dad would have terrible night sweats, and soak through his sheets, often several times a night. Each time, mom would gently roll him over, replace the sheets, and roll him back - then spend the whole next day washing several sets of sheets, only to repeat the routine each night.
I remember being fascinated by the graduated sizes and perspective on the sets [of Star Wars]. And how they put shorter people and kids in the uniforms and placed them in the distance to give the idea that these sets had more depth than they really did.
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