A Quote by Sophia Bush
It's a very weird thing to know where you want to be in life and all of a sudden to actually have taken some real steps is a very strange feeling. I've really done something that I'm proud of.
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I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.
Acting is a really strange thing. You have to know when you're put in a bad situation, but you also have to be willing to do something very strange.
I'm actually a very dark person, so I really want to get into some really dark roles, maybe some thrillers. I've never done one of those, so I think I'd really want to get into that, but definitely something that would get lots of people talking.
I'm most proud of my kids, for one, and my family and my parents. Outside of that - what am I proud of? I don't know. I don't look back, I just go forward. I'm just proud of the fact that my parents were immigrants and we had nearly nothing, and all of the sudden, with the help of a lot of people and my parents as a model, I amounted to something. And I'm doing some very decent work.
I'm very proud of what I do, and I want as many people to be aware of it as possible. I'm very proud of what I believe. I'm very proud of my country. I want everybody to be. I really do. It may sound like pie-in-the-sky, but I want everybody to love America as I do.
This film [Doctor Strange] kind of takes that everyday boring reality and really bursts it wide. So we talked a lot about that. In many ways there's something very practical about this world, the Kamar-Taj. It's - You know, we all look like samurai warriors, but actually there are iPads everywhere and there's a feeling that it's a practical possibility for this modern world that the Doctor Strange universe is functioning, and that we know it and it's around the corner for all of us.
I've actually apologized to some people I was a real jerk to, because I feel ashamed. I didn't need to be that hungry. There was something going on inside me when I was angry and feeling very threatened and not feeling good about myself.
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
This is going to sound strange, but I really didn't think I would pass 30. I don't know why or whatever, I just didn't. That's a very weird thing to say, I'm sorry. I don't know. Maybe it's because I was drinking so much as a youth.
The core of the film is usually something very emotional and something that feels really real that you can relate to, it's not like done in a false way. You know a lot of films will treat emotion falsely and you can sense that very quickly.
Film actually is a very strange thing - you can fly in, get off the plane, and climb into bed with somebody you've never met - and that's weird!
Zappa was very technical and impressed by things that were musically challenging - weird time signatures, strange keys, awkward chord sequences. Zappa was important to me as an example of everything I didn't want to do. I'm very grateful to him, actually.
When you head on out to the Moon, in very short order, and you get a chance to look back at the Earth, that horizon slowly curves around in upon himself, and all of sudden you're looking at something that is very strange, but yet is very, very familiar, because you're beginning to see the Earth evolve.
Real vectoring in space, real orbital mechanics, is very counterintuitive, very strange, and very hard to render. It's expensive, and there's a learning curve. Some of it is about raising audience literacy to the point where they understand that.
On some levels, you can also have this feeling that we are being duped, somehow. And that the world is at play for something you would understand more if it were pure ideology. It is a very strange time and also basic things are being taken away.
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