'Lemonade' is made out of bubbling, fizzing, popping, and 'Hard' is made from metal and latex - they are sort of sculptures in this way. I synthesize all sounds except for vocals using raw waveforms and different synthesis methods as opposed to using samples.
All the characters are made out of words. With reading, I understand that the people aren't real but the fact that they are made out of language and are made out of words is extremely powerful to me. It becomes transformative for me. Different people have different ways of trying to make stories using language.
Every sector of society looks at digital analytics in a productive way. Limiting my ability to use them is just unacceptable. And by the way, Congress conducts polls using traditional methods. No one is using social media analytics as a substitute for that.
Making art is dealing with people on your own terms. The ideal way of using people is using them like clay, but that being out of the question, except for lunatics and leaders, art is a good alternative.
It never gets boring for me because there's so many different things to explore in the studio. The studio's become the sanctuary that people have come in and found new things out about themselves, as weird as that sounds. But it's true, I'm no different. I've made some crazy hard records, and I've made a jazz album.
We're constantly striving to bring something new and different to the table, either in the way that we're using the cameras, or the storytelling we're using in the scene, or the way that the characters are being motivated by the action.
I know that sounds so circular, but for you, what you were made to do, is different than what I was made to do. But instead of spending all of our time having Bible studies about what we were made to do, go do stuff and you'll figure out what you were made to do, because you'll be great at some things and you'll be terrible at others.
I also just get so ecstatic hearing and feeling the noise in general and it still makes me giggle inside playing certain sounds. One of the downsides is that in order to produce certain sounds, I'm totally using my arms the wrong way and sometimes that worries me. But then that physical strain puts me in a different state of mind to bring out different dimensions in the music, I suppose.
The only way a ventriloquist speaks differently is that he forgoes using his or her lips, and learns to reproduce sounds using the tongue, upper palate, and teeth only. Those 'difficult' letters are B, F, M, P, V, W, and Y.
Everything you use in a modern life style has to be made using a tool of some sort.
I'm working pretty slowly these days, but most of what it is, or a lot of what it is anyway, is kind of in the vein of "Bay of Pigs". Maybe not all in the same scope, but recorded using the same method and using some of the same sounds, or similar sounds.
The different styles I have been using in my art must not be seen as an evolution, or as steps towards an unknown ideal of painting. Everything I have ever made was made for the present and with the hope that it would always remain in the present.
Traditionally baklava is made by using honey - but I'm making it extra sweet and extra sticky by using golden syrup.
There is a difference between using a made-up name and using real people as pseudonyms. People are not costumes you can wear. They are flesh and blood.
I find it fascinating that you can look at the same problem from different perspectives and approach it using different methods.
I think art, more than anything else, helps humans to synthesize emotion and to synthesize parts of ourselves, so therefore, as an artist, I feel a responsibility to try and facilitate that synthesis.
I have always made a point in my romances of basing my so-called inventions upon a groundwork of actual fact, and of using in their construction methods and materials which are not entirely without the pale of contemporary engineering skill and knowledge.