A Quote by Sophie Rundle

I don't know. I feel really lucky. I've just got work in the way that I really enjoy working. That's not too much fuss. Just getting up and going on set every day. — © Sophie Rundle
I don't know. I feel really lucky. I've just got work in the way that I really enjoy working. That's not too much fuss. Just getting up and going on set every day.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
Of course any actor is going to be happy to be nominated for an Oscar - absolutely - but I don't really think of it in that way. I've never really thought of my job in that way, because that's just a lot of pressure to be working towards one goal. I'm much more interested in finding roles that make me feel happy about going to work every day.
When my sitcom 'Miranda' first became successful, I was so in the thick of working and I was so stressed that I didn't really enjoy the moment. You suddenly look back and go, 'Gosh, you've just got to enjoy every day.' And now I wake up and literally pinch myself every day.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
I really don't worry too much about what I see through the viewfinder, at least not at that point, especially if I'm using a flash because I don't know what it's going to do. I just see vague potentiality. It's really working with a set of attributes that will hopefully interact in an interesting way.
I really love acting. I really do. I really just think of myself like a working woman. And I just go from set to set and work. You have to promote a movie; you have to work. People are going to have opinions and it's weirdly very easy to kind of block out the world because you have your own.
I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!
I just came home one day and, in a midlife-crisis sort of way, I told my wife, 'I'm going to run a marathon,' not really understanding what that was. Then I just kind of got into it, and now that I have been running pretty consistently over the past few years, I don't know if it's because I love it or because I hate myself. I just really enjoy it.
I try not to have anything too much going on between waking up and getting to work. I like to just be really fresh when I sit down. I always have my best ideas, like, within five minutes of starting. And then the rest of the day is just kind of putting in time.
I really enjoy acting, and whether it's TV or films, I feel lucky to be doing it at all. In the end, I'd love to do films, but I'm not going to work just to do work. I only want to do something that I feel right about.
I just feel we are extremely lucky that when we wake up, we get to go to work and do something we love. Honestly, we can't call it work. We're living the dream, really. If you start thinking about the dangers too much, it's time to stop.
They're making so few movies that you really just have to make it. It's going to be the only way you end up getting work. I don't believe anyone's going to really go out on a limb and just throw millions of dollars on someone that's not been proven. They're going to have to show somebody something at some point.
There's going to be a lot of eating. My listeners have tweeted me and said "You've just got to keep eating, keep your energy up and have someone on duty to give you a massage if you need it." It will be a case of getting it done and making sure I don't get too cold, because that's crucial for the muscles. So that's all going to be taken care of. But really there's not much you can do - if you start cramping up you've just got to get on with it.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
Every coach, every executive, every leader: They all know right from wrong. Even those Enron guys. When someone uncovers a scandal in their company, I don't think they can say, "I didn't know that was going on." They're just saying they're too dumb to do their job! And if they really are too dumb, then why are they getting paid millions of dollars to do it? They know what's going on.
I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.
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