A Quote by Chuck Close
Art saved my life in two ways. It made me feel special, because I could do things my friends couldn't, but it also gave me a way to demonstrate to my teacher that, despite the fact that I couldn't write a paper or do math, I was paying attention.
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My mum hates the fact that I fight. My sisters hate it, too, but they understand that boxing gave me a way out. It saved me. It made me someone. It made me the person I am today, mentally and physically.
My mother was an English teacher who decided to become a math teacher, and she used me as a guinea pig at home. My father had been a math teacher and then went to work at a steel mill because, frankly, he could make more money doing that.
Going to the school to meet the visually impaired was special. I thought I was inspiring them. I was thinking what I could possibly say to inspire them. Instead of me inspiring them, I felt they inspired me. They showed me how much courage they have, and how hard these teachers are working for these children. They made me feel like I don’t have any problems in life. It gave me uplift. They made me feel so great.
For me as a midfielder, Paul Scholes was the best possible teacher. When people ask me my hardest opponent, I always refer to Paul in training. Facing him improved me so much because his astonishing quality gave me something to aim for. He never gave the ball away, he could nutmeg you, he could make you look a fool, his range of passing was remarkable, his touch and awareness, everything was top notch. Seeing Scholesy made you stand back and realize you had a long way to go, because he was awesome.
I do less of that stuff now because I figured out that when I was writing things I didn't care about, it made me angry and depressed, so I turned my focus to what does make me happy, and also I recognized that one of the things that gives me great happiness is teaching creative writing, and so I could write profiles of professional golfers or I could be a professor. Being a professor made me much happier.
[My photography teacher] gave me the Mexican Day Books of Edward Weston and just blew me away with this work. The fact that you could be this fabulous visual artist, with all this milieu of people like Diego Rivera and you could sleep with these gorgeous, amazing women, that you could live that life - that photography could deliver you that life.
Hip-hop definitely saved my life. Being able to write about the things I was doing, the things I was seein' and all that stuff, putting that on paper and coming into my own as Joell Ortiz. That's why I don't have a stage name, because I chose to talk about everything under the sun that happened to me or next to me in my music.
Pain is like a life coach in your body. It’s what made me a life coach because I started paying a lot of attention to what made me hurt and what didn’t. It turned out my body was trying to steer me away from a life that was absolutely wrong for me and into a life that was absolutely wonderful.
I think because of our society, and the way that I grew up in soccer, I had to become well-rounded, but I also cherished the parts of me that made me special. I'm thankful for that because it's made me a better player.
My relationship with religion is very strong because it was my hope, and it gave me two things very important in my life. It gave me the belief and it gave me a point to reach: Don't do something bad to the people next to you.
Being classically trained gave me the real foundation for music. It's so important in my life. Why was I influenced by all these styles of music? Because it gave me a sense of freedom. It made me feel like I could put my hand in a colored bag and pull out a different colored candy and have fun with it.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
At lucky moments this emanation could overwhelm the spectator in such a way, that because of all sorts of associations in his thinking, he could finally be taken to those areas which also had moved me so deeply and made me think I should draw the attention of others to it.
Hip-hop saved me. It gave me permission to use language in a certain way. It validated my community and my friends. It gave our slang a certain elegance.
Richard Hugo taught me that anyone with a desire to write, an ear for language and a bit of imagination could become a writer. He also, in a way, gave me permission to write about northern Montana.
As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.
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