In no way did I allow reality as it was to intrude on reality as I wanted it to be.
I don't like the outside world to intrude when I'm making a film. I like to either see my family or work, but I don't like to go out.
If we can allow some space within our awareness and rest there, we can respect our troubling thoughts and emotions, allow them to come, and let them go. Our lives may be complicated on the outside, but we remain simple, easy, and open on the inside.
Artists who believe they control everything control what they know. Artists who allow outside forces to intervene are like canoes going down rapids. The rocks are there. If you fight them, you fly off the bow. If you allow the current to take you, you can pass through swimmingly. It is a rare gift at every bend.
It's all discipline and schedule for me. I mean, it's very easy to get distracted by the real world and things that intrude constantly, and it takes dedication to live totally in your head and be tuned out.
An alcoholic father, poverty, my own juvenile diabetes, the limited English my parents spoke - although my mother has become completely bilingual since. All these things intrude on what most people think of as happiness.
Don't depend on something that comes from outside. Outside things are never going to make you happy.
Hesitation is often like procrastination. One may have vague doubts and feel a need to mull things over; meanwhile, other issues intrude on thought, and no decision is taken. Ask people why they procrastinate, and you probably won't get a crisp answer.
I love to do things that kind of mess with the movie formula that you can always find the right place to park; you've always got a phone signal. And I think audiences really respond to the limitations of real life when they intrude on drama.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
I wanted a theory that would allow one to live outside the office with the same philosophy one uses inside it.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
The goal of serious musicians is to play outside of yourself. That's most likely with people who suggest things that are outside your musical experience.
A lot of it was really, really fun, but at some point, things started getting weird. We didn't allow each other to breathe. We didn't really have a sense of ourselves individually. We were very insecure... We were really threatened by the thought of 'Oh my God, what if someone goes off and does something outside the band?'
You don't think of these things when you play. When you retire, you look back and see that my Test average outside Asia is 40, and it is 49 overall. If I can change something, I'd like to change that average outside Asia. I tried as hard as I could outside Asia, but I couldn't do that.
Couldn't imagine any other way of living, outside of books, outside my work. Which doesn't mean I am not interested in other things, of course - I am interested in many things. But the center, the crux, is always literature.