A Quote by S. T. Joshi

I am one of maybe three people in the world who knows anything about Robert W. Chambers. — © S. T. Joshi
I am one of maybe three people in the world who knows anything about Robert W. Chambers.
The science-fictional motif of lethal, infectious information - bad memes - is a fascinating one, with an extended history. One of the earliest instances is Robert W. Chambers's 'The King in Yellow' from 1895. Chambers's conceit is a malevolent play: read beyond Act II, and you go mad.
Lawyers on TV always tell their clients not to say anything. The cops say that thing: 'Anything you say will be used against you.' Self-incrimination. I looked it up. Three-point vocab word. So why does everyone makes such a big hairy deal about me not talking? Maybe I don't want to incriminate myself. Maybe I don't like the sound of my voice. Maybe I don't have anything to say.
It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing.
Who knows, maybe I'm just a stubborn jerk? Maybe the other people who do stuff they don't want to do, maybe they're doing the right thing. Who am I to say? I'm just doing my thing and being myself, and I've been given the incredible, fortunate opportunity to play roles that I frickin' care about and enjoy playing. And it might not last forever. That's okay. That's what it is.
Anyone who knows anything about me knows that I am a very patriotic guy, in terms of my Scottishness and my roots.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
Simultaneous recording with superimposed ionization chambers and Wilson chambers, ionization chambers and sets of counting tubes, has not yet been carried out.
There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her when he wrote that poem, only God and Robert Browning knew what it meant, and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment.
Robert Quinn. He's ridiculous. He can do anything a DB can do... at three hundred pounds!
When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
I am astonished each time I come to the U.S. by the ignorance of a high percentage of the population, which knows almost nothing about Latin America or about the world. It's quite blind and deaf to anything that may happen outside the frontiers of the U.S.
There are three sorts of people in the world: Those who are immovable, people who don't get it, or don't want to do anything about it; there are people who are movable, people who see the need for change and are prepared to listen to it; and there are people who move, people who make things happen.
I have said, and I repeat, at the risk of appearing sacrilegious, that the gas chambers are a detail of the history of the Second World War... If you take a book of a thousand pages on the Second World War, in which 50 million people died, the concentration camps occupy two pages and the gas chambers ten or 15 lines, and that's what's called a detail.
The thing in comedy is that once you start worrying about something not succeeding, you're frozen. There's no verdict on anything. You can make ¡Three Amigos!, and some people will at the time say, "Oh, that's too silly." Then five years later, silly is hip. Now it's considered art. I never comment on anything I do, because if I say anything negative about X film, or X TV show, or X project, people who saw it and loved it go, "Well, am I an idiot?"
Anyone who knows anything about me should know by now I am certainly not exactly a good politician. I am also willing to admit to you now that I never went to any classes that had anything to do political science.
I am a very private person. No one ever knows anything about me as I don't think it is necessary. I tell people as much as I want them to know about me.
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