A Quote by Stacey D'Erasmo
I write things in my house, and hopefully there's a reader out there who enjoys it and has an experience with it, but that's very different than a performer on stage, where there's an immediate dance with the audience. It's incredibly powerful.
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Being on stage was all about the palpable energy of a rapt audience hopefully buying into a life onstage. The immediate connection with the audience was the best part for me. The camera is not as fun, but your work is preserved forever. There's immortality to it.
Immediate, simultaneous connection between the audience and a performer is crucial to me. It's why I do what I do. Other things, like recording, are satisfying, but they're not the same. I love the connection I get with the audience when I'm sitting behind that piano.
I don't like being naïve about the market, and I always try to make things as great as I can. Then I hope that there's an audience that enjoys them, and that hopefully those things get protected.
In horror movies, you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie, all of a sudden it becomes incredibly accessible and appreciated.
When a performer goes out on a stage, they may feel the audience is judging every aspect of them and their life. In fact, all that poor audience is doing is waiting to be entertained a little.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
There's something about being in a house with an audience, and having that immediate feedback. I started acting because of that energy; it's what feeds me on stage and informs my choices.
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
I just feel like TV takes more risks than film. Film has gotten very safe: it's very compartmentalized about what type of things will be successful. And whereas in TV, since all these new platforms opened, they're saying to writers, go out there, write the most different show that you can write. Write something that's really original and different.
You become successful, the way I see it, only if you're good enough to deliver what the public enjoys. If you're not, you won't have any audience; so the performer really has more to do with his success than the public does.
I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
There's nothing more fun than acting on stage with a live audience and that immediate feedback.
At every sound check, I try to practice on the stage that we're gonna play on that night, 'cause every stage is different. Whether it's concrete or whether it's plywood or whether it's Plexiglas, it all requires different things. You can't dance on concrete as well as you can dance on Plexiglas.
The idea of the nightclub and gospel house music is interesting to me; I can't wait to hit that circuit! The Bible says, "Where two or more are gathered in my name, there am I also." When you sing, dance, or open yourself up to being fed by a performer or edified in the experience, there is this possibility that you're going to leave better than you got there.
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