A Quote by Stan Lee
I like Spider-Man because he's become the most famous. He's the one who's most like me - nothing ever turns out 100 percent OK; he's got a lot of problems, and he does things wrong, and I can relate to that.
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There's just nothing funnier or crazier than that - doing your Broadway debut as Spider-Man in 'Spider-Man' the musical. It was, like, the last thing I could have ever possibly imagined happening. I mean, I would tell people I was playing Spider-Man, and people would just break out laughing because it was so ridiculous!
You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.
Every generation has their favorite Spider-Man television show. For a lot of us, it's the one that has the song, 'Spider-Man, Spider-Man, does whatever a spider can.'
Most of the people we see don't want to live in a shelter and feel save in their own little camp. Experience has taught me that almost 100 percent of these people suffered abuse as children. Well over half have emotional, mental problems. Most have drug and alcohol problems.
When I found out about being cast in 'Spider-Man,' it was like this bubble developed around me. I was floating in it for a while. And then, suddenly, it evaporated, and I was like, 'Well, I'm just an actor. I don't get to actually be Spider-Man.'
What I like most about the series is that the stories deal 75 percent of the time with the problems of Peter Parker, a normal, unremarkable young man when he isn't out fighting crime.
Obviously, the hotel is related to my name, so my mom makes sure the staff, the service, the cleaning part of it is 100 out of 100. Not 99, 100 out of 100. We've got great reviews because of that. That's why a lot of people want to stay out our place, because we provide a lot of good services.
There's a compelling reason why I belong in the Hall of Fame, but I understand the argument against me. My career didn't go like most, and I'm 100 percent fine with that because that's what resonates with people.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
I won't share everything, both in my act or in interviews. Some of the people who become the most famous are the most self-revelatory, and I'm like, 'No, it's just not worth it to me.'
I'm a perfectionist, so everything I put out needs to be, like, 100 percent. So when it comes to releasing things on my YouTube channel, I triple-quadruple check it before I post it because this has got to be ready for the amount of people who are going to be watching, for sure.
I'm definitely one of those people who feels that they were born in the wrong era. I don't know if that's nostalgia. I have a hard time relating to most current things. It's funny because I get associated with nostalgia a lot, but I don't hang out being like, "Man, if it were 1986... If only...!"
You ever think about having kids?” “All the time.I´d love to have a houseful. Then one of my nieces or nephews turns Exorsist on me and spews the most discusting things imaginable out both ends — things that make the demon snot feel like a bubble bath. That usually cures me of that stupidity for at least a day or two.” (Sam & Dev)
I think the key is that nothing's ever perfect and you've got to be able to go with change. It's a lot easier said then done because I especially like things very structured and I don't like change, but it's part of life; you've got to just deal with it.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
I look at technology a lot because I feel like it's something we've got to stop and question, ya know? Right now it's sort of running ahead unabated and I feel like we've got to look at it and say 'Ok, I've gained all of these conveniences, but what did I lose?' And that to me is all part of the same idea of man-made work. We literally worship the things that we've made with our own hands. That's as old as mankind, that problem.
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