A Quote by Stan Lee
I hated teenagers in comics because they were always sidekicks. And I always felt if I were a superhero, there's no way I'd pal around with some teenager, you know.
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The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
When Phil and I started out, everyone hated rock n' roll. The record companies didn't like it at all - felt it was an unnecessary evil. And the press: interviewers were always older than us, and they let you know they didn't like your music, they were just doing the interview because it was their job.
There was a point when comics were considered to be mainly of interest to kids, and it was decided that kids could relate more to someone their own age than an adult. So suddenly all these previously grownup comics were lousy with sidekicks: Aquagirl, Aqualad, Robin, Kid Flash, Speedy, Stripesy... the list goes on.
My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
I remember the kind of teenager I was, the kind of teenager I wanted to be, and then the kind of teenagers that were all around me. Life is lived on such a big scale in those years - and such an embarrassing one as well.
I did roles that I hated, and there were roles that were detrimental to my acting ability. There were roles that I was always doing that were always the comic relief... it was destroying my soul.
The Lib-Dems are sidekicks. They were born to be sidekicks and that's what they should concentrate on being.
I hated school . . . I freaking hated it. The fact is that it revolved around something you didn't have access to. If you weren't on the football team, if you were in the band, you were a leper. When people say those were the best years of our lives, I want to scream.
Anti-Semitism is best understood as a virus. It has no logic. Jews were hated because they were rich and because they were poor; because they were capitalists and because they were communists; because they held tenaciously to an ancient faith and because they were rootless cosmopolitans, believing nothing. Hate needs no logic. It is a sickness of the soul.
I saw the comics in the East Village Other, and they weren't superhero comics, they were all about hippies and all about things hippies were interested in. And there was one page in particular, a full page strip called "Gentle's Trip Out" signed "Panzika", and it was totally, totally psychedelic, and really, I don't know if it made any sense at all but it looked so great, and I thought, "This is what I want to do, this is my big influence," and it was.
When we were associated with eBay, it was surprising to me how many merchants were very reluctant to work with PayPal because we were accessing their data and their information, and they felt in some way, shape, or form they were competing with eBay.
In early comics, you see the amazing awkwardness and bizarre reasoning in the storyline, and it's because comics hadn't really been invented yet. There was no format for them to follow. They were just making it up. So I try to incorporate that kind of awkwardness in my comics quite frequently, which is odd. In some ways, I can't be as awkward as I'd like. But I do think that's one way in which my comics are unusual, because I will try to make the artwork look bad, occasionally.
Especially as a teenager, you were so fond of Schiaparelli because she was slightly extreme, rebellious, and iconoclastic as well. That appeals to teenagers!
The Goons were always one of our favourites; we always felt we were in that tradition - Goons, Monty Python, Peter Cook, Vic and Bob, Spike Milligan. We felt we were part of that lineage, but in England, it wasn't happening like that. There was a brand of comedy like 'The Office,' which was very real.
I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.
All through first and second and third hour, Eleanor rubbed her palm. Nothing happened. How could it be possible that there were that many never ending all in one place? And were they always there, or did they just flip on wherever they felt like it? Because, if they were always there, how did she manage to turn doorknobs without fainting? Maybe this was why so many people said it felt better to drive a stick shift.
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