A Quote by Stan Musial

A lot of hitters stay away from the plate, some are close up, some are forward, some are back. The thing about hitting is this: You have to know the strike zone. That's the most important thing. Hit strikes and put the bat on the ball.
When the ball is over the middle of the plate, the batter is hitting it with the sweet part of the bat. When it's inside, he's hitting it with the part of the bat from the handle to the trademark. When it's outside, he's hitting it with the end of the bat. You've got to keep the ball away from the sweet part of the bat. To do that, the pitcher has to move the hitter off the plate.
And, you know, you try and preach to them there's more to this game than just walking up to home plate, swinging the bat, fielding a ground ball. There's some dedication in it, some love you've got to put into this work.
I got into a bad habit of dropping my elbow and pushing the ball to the plate instead of getting on top of it and using some leverage to get it down in the strike zone or get some depth with the ball.
You can't see the bat hit the ball if you're generating any bat speed. If you're just laying the bat through the strike zone, sure, maybe.
Some of the longest home runs I've hit, I didn't actually realize they were going that far. Everyone says, 'What does it feel like to hit the ball that far?' Actually, there's no feeling at all. I know when the ball meets the bat whether or not it's left the park. It's a nice easy thing.
The only thing I do to my bat is put some tape around the handle to build it up a little bit because I broke my finger about six years ago and can't really close it the way I want to. Other than that, the same bat, same Louisville Sluggers.
My favorite part (of the game) is knowing that they're comfortable, knowing that, no matter what, they can count on me. What I really enjoy most about catching is the relationship with a pitcher. The most important thing is they can relax when I'm back there and know that I did my job, I did some homework on hitters.
Hitting. That's what I enjoy most. Realistically, it's probably the hardest thing to do in all of sport. Think about it. You've got a round ball, a round bat, and the object is to hit it square.
Every at-bat, I try to hit the ball. I don't like to strike out. I put the ball in play a lot, so I'll take the hits as they come.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
Sacrifice doesn't really exist on a national level anymore and that's a pretty new thing - most people aren't engaged nationally in some form of service and that changes the way you think about people in your country; you kind of think of them at a distance. And so there's that shift away from some sort of sacrifice - thinking of yourself as the most important thing in the world versus thinking of yourself as some sort of a whole.
That's one thing I learned from watching great hitters hit. A lot of hitters, they're ready to hit from pitch one.
Chemistry is really about two people who like to act together, I think. It's like tennis in the most cliched way. It's like if you hit the ball, they hit the ball back, and they don't hit it into the stands, and they don't put the ball in their pocket and walk off - and they don't argue with the umpire, you know?
There's only a certain percentage of the strike zone that you can do extra-base hit, barrel damage with the ball. Just because it's in the strike zone doesn't mean you have to take a cut at it.
For me, that's the difference in good hitters and bad hitters. If you can stay in the zone and make them throw you pitches, you'll be able to drive the ball a little bit better.
Some people look at the surface, while some see what's deep down. The most important thing is that the film should somehow stay with them until the very end.
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