A Quote by Stanley Tucci

I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time. — © Stanley Tucci
I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.
Don't waste your time, do something worthwhile with it." But what can that mean: worthwhile? Finally to start realizing long-cherished wishes. To attack the error that there will always be time for it later....Take the long-dreamed-of trip, learn this language, read those books, buy yourself this jewelry, spend a night in that famous hotel. Don't miss out on yourself. Bigger things are also part of that: to give up the loathed profession, break out of a hated milieu. Do what contributes to making you more genuine, moves you closer to yourself.
They've got the singles and some people have burnt them from different web sites and stuff. So it was something that we talked about for a long, long time, and I just wanted to make sure that this remix album to be really special.
What works for me is simply to read a lot of stuff throughout the year - not with a particular story or theme in mind, but just because you never know what might be useful or interesting in the long run. I much prefer to just absorb a lot of stuff and let the old unconscious chew down on it over time.
I wanted to be a forensic scientist when I was younger. For a long time, I was studying because I wanted to do that sort of stuff.
My children, every time they ask me for something, I tell them to round their old stuff up.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
I did want to be Joni Mitchell for quite a long time.
I do work-related stuff on airplanes. Then, when I'm in the hotel room or just vegging out, I read for pleasure.
I am an old, old friend of Aaron Sorkin's, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time. The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
People go to Vegas, and they don't know what to do; here's what you do. You go to the casino in your hotel. On your arrival, you get $100 in quarters. Take that $100 back to your hotel room and stare at it for a long, long time. Why? Because you're never going to see them again. Then you take those quarters to the bathroom and you flush them, one by one by one. And the nice thing about that is that every so often the toilet will back up, and you'll feel like a WINNER!
My new favorite thing is to wake up in hotel rooms, and write on the hotel pads. Usually, it's nothing. I leave it in a hotel and get really embarrassed about the maid picking it up, wondering what in the hell I'm talking about.
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
The difference between the first time I read something and the tenth time I read something is generally pretty profound. Even if the script is the same, just the way that I read it is different.
When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.
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