A Quote by Statik Selektah
Even when I have someone playing the song I give them the idea. I'm learning. I'm getting better over the years.
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I don't think my playing style has really changed over the years; it's just gotten better. I can hear the improvement in comparing older records and later records. I'm referring to soloing ability, to having a better sound, to knowing chords better, and getting rhythmically stronger. It also has to do with ideas - learning how to edit your ideas and being better able to follow ideas out to a logical conclusion.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That’s what lasts. That’s what continues to feed people and give them an idea of something better.
My guiding principle when writing with other people is that it's not worth it to give someone a song unless it hurts for me to give them that song.
School of Rock. The best music school anywhere. This whole idea of getting kids not just taking lessons and learning notes and chords, but learning songs and playing with other young musicians, and getting out on stage... I was so impressed that my daughter Cheyenne goes to School of Rock on Long Island.
I've been trying to take this journey over the last four years of getting away from playing manipulative and villainous characters and playing characters that are affected by what happens to them as opposed to unaffected.
Cover them over with beautiful flowers, Deck them with garlands, those brothers of ours, Lying so silent by night and by day Sleeping the years of their manhood away. Give them the meed they have won in the past; Give them the honors their future forcast; Give them the chaplets they won in the strife; Give them the laurels they lost with their life.
I don't think that split government is a good idea. Conventional wisdom in Washington for years has been that divided government is good because of a check and a balance. What I believe happens all too often, regardless of which party is there's gridlock. And I think the better argument is give one party a chance, give them a chance with a House and a Senate and a president. Give them a few years to see what they can do. And if you don't like it, put another party in.
Even though over the last years I've had more and more success and I've been getting better on the tour, I think I've lived this kind of life as an athlete for many years already.
When you're making music, it's meant to be shared with people. Sometimes, even if I'm writing a song, someone else brings a vibe. There's something different about it. If someone can play a better bassline than me, I'll let them do it. I'm just here to fit in and see where it goes.
Someone like John Prine can write a song that tears into your soul, turn it over, and write a song that makes you laugh and feel light as a feather. With someone like him, you're getting a real picture of a person, a real expression.
I try to anticipate the ball well. That's something that's helped me since when I was a kid. Just learning to anticipate and read the game well. That's helped me. When I moved over to Spain and I was 15 I was playing with big guys who were 22 years to 28 years old and I was 15 so I couldn't beat them with power. I had to beat them with touch shots and variety and anticipation and all of those things. I learned a lot when I was over there.
The longer I stay clean, the better my beats are getting and the easier it is to zero in on one idea. Because I really want to, often, try to get an idea across. I can really get to the essence of a song better if I'm clean and I'm not waking up with a hangover.
I have a creative mind, so if I listen to the song, I have an idea, I thought of five or six months ago, I'll bring it back into the playing field. I can tweak ideas or make them better. Just come up with something and then we go from there.
Certainly when I was a kid, in the early '90s, men couldn't show weakness. It was very much a case of suppressing pain and getting on with it. I remember when I was six years old, I was playing football with kids who were three years older when, one day, I fell over and began to cry. And my dad was like, 'Don't ever let someone see you cry.'
What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
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