A Quote by Stephane Mallarme

The reproach that superficial people formulate against Manet, that whereas once he painted ugliness, now he paints vulgarity, falls harmlessly to the ground, when we recognize the fact that he paints the truth.
White... is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black... God paints in many colours; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.
The sublime only paints the true, and that too in noble objects; it paints it in all its phases, its cause and its effect; it is the most worthy expression or image of this truth. Ordinary minds cannot find out the exact expression, and use synonymes.
I can't change the fact that my paintings don't sell. But the time will come when people will recognize that they are worth more than the value of the paints used in the picture.
When mountains and waters are painted, blue, green, and red paints are used, strange rocks and wondrous stones are used, the four jewels and the seven treasures are used. Rice-cakes are painted in the same manner. When a person is painted, the four great elements and five skandhas are used.
Daumier paints with an enormous capacity for absolute empathy; a complete identification of himself with the figures he paints. He sets forth what it feels like to do something; not what somebody looks like doing it.
Who told you that one paints with colors? One makes use of colors, but one paints with emotions.
It's a funny semantic turn - when someone paints a landscape, no one says they "borrowed" it, only that they painted it.
All I wanted was to connect my moods with those of Paris. Beauty paints and when it painted most, I shot.
The earth paints a portrait of the sun at dawn with sunflowers in bloom. Unhappy with the portrait, she erases it and paints it again and again.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object-Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.
A painter is a man who paints what he sells; an artist, on the other hand, is a man who sells what he paints.
Where Picasso paints cause, Repin paints effect. Repin predigests art for the spectator and provides a short cut to the pleasure of art that is necessarily difficult in genuine art. Repin, or kitsch, is synthetic art.
Spend as much time as you can in silence. Look at the way the sun paints the ground gold.
A friend of mine says his two favorite artists are Picasso and Rembrandt. Picasso because he paints the beautiful in such an ugly fashion. And Rembrandt because he paints the ugly so beautifully.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
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