A Quote by Stephen Amell
When 'Hung' got canceled, I was available for pilot season, and 'Arrow' was the first thing I auditioned for. It wasn't the first script that came to me, but it was my first audition.
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The audition process for 'Are You There, Chelsea?' was overwhelming and exciting. It was my first pilot season and one of the first pilots I auditioned for.
My first professional audition was for a radio play in Manchester. That was the first audition that I got. It was my first paid job, which I think was, like, £150, and I thought it was megabucks.
My first audition was for Terrence Malick's 'The Tree of Life.' These casting directors came through Texas, and they recruited somewhere around 10,000 kids to come and audition for this movie. They sent me a letter in the mail, and I went and auditioned for this movie.
When I was first told about 'Game of Thrones,' I didn't know the books, anything. So I read the pilot, and when I got the first script, it was clear the story was about these people and families and a constant battle for power.
'DWTS' came to America and I was ranked first in the U.S. When I got the call, I turned them down. That's why I missed the first season because I felt like I was still seriously competing and it would have been distracting. They called me again for the 2nd season and I said yes. I wanted to see what it was like to do something different and here we are.
I loved 'BattleDome.' It was the first thing I ever auditioned for, and I was so crazy in the audition that I knew I had the part.
My first audition for 'The Magicians' came up in conversation with a close friend who, right then, handed me the first book.
It was especially hard for me, as a professional pilot. In all of my years of flying - including combat in Korea - this was the first time that my aircraft and I had not come back together. In my entire career as a pilot, 'Liberty Bell' was the first thing I had ever lost.
Childhood is like a mirror, which reflects in afterlife the images first presented to it. The first thing continues forever with the child. The first joy, the first sorrow, the first success, the first failure, the first achievement, the first misadventure, paint the foreground of his life.
I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
When I was around 15, I did my first movie. I was at a kids' agency, and the third time I was invited to an audition, they offered me a little part in some kiddie thing, and I earned my first money. I was very proud that I could buy my first mountain bike with my own money.
When I auditioned to be part of the "This Is It" Tour, I didn't think I was going to get in. I didn't think it was for real at first, when I got the message on MySpace from the musical director to come in and audition for him. I came in and I played for the musical director, and that night Michael Jackson came in and sat down on the couch and I played "Beat It" for him. I just practiced as much as I could to make sure it was perfect.
My first rap name was Ralo. Because my first name is Carlos. I likened myself to what Busta Rhymes was doing when he first came out. And what Onyx did when they first came out - they reminded me of me.
I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.
When I sat down with the creators of the show [Longmire], back when we were first starting to do the pilot, Branch was not that interesting on the page. What really sold me on the show and the character was their vision for him. It took the whole first season to flesh him out.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
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