A Quote by Stephen Gostkowski

I threw a good fastball and changeup, but a below-average curveball. — © Stephen Gostkowski
I threw a good fastball and changeup, but a below-average curveball.
Back in the day when I played, a pitcher had 3 pitches: a fastball, a curveball, a slider, a changeup and a good sinker pitch.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
If you can't see the rotation and tell if it's a sink - a fastball, then you have to be able to tell whether that fastball is a two-seamer or a four-seamer. You have to be able to recognize if it's a slider or a curveball. You have to be able to recognize if it's a changeup or a split-finger.
John Wetteland had a very good curveball. He threw it for a strike, too, in any count, any situation. But, he really didn't use it much. He didn't want to throw it. He wanted to throw fastball-slider.
John Wetteland had a very good curveball. He threw it for a strike, too, in any count, any situation. But, he really didnt use it much. He didnt want to throw it. He wanted to throw fastball-slider.
The dumber a pitcher is, the better. When he gets smart and begins to experiment with a lot of different pitches, he's in trouble. All I ever had was a fastball, a curve and a changeup and I did pretty good.
You must not be afraid of small bits of silence. To use it well is the height of confidence and skill for a comedian. It increases the tension in a good way and adds contrast like a curveball complements the fastball of a good pitcher.
Everybody wants to know, 'How do you throw a curveball, how do you throw a slider, how do you throw this and that,' when they can't even locate a fastball. Learn how to control your fastball and then once you've got that, move on to other things.
I'm the kind of guy who, if I look inside and they throw me a fastball outside, and it's a strike, I'm going to swing. Everything in the strike zone, I'm going to swing. Doesn't matter if it's a fastball, changeup, breaking ball. If it's in the strike zone and it's something you like, you've got to swing.
I was 11 years old and have the same curveball I have now. So I was literally striking everybody out. I always threw hard, and I was bigger than all the kids, so I would throw hard and throw that curveball, and no one could hit me.
I'm a power guy. Good fastball. A knuckle curve, which I can throw for strikes. A changeup which sinks down and away from lefties and I can also throw for strikes.
My changeup looks like a fastball, but one goes straight and the other goes away from the righthanded hitter. Sometimes it cuts by itself, and I don't know where it's going.
I've always been fastball-curveball and really relied on that pitch, and when it goes away, it just totally changes how you attack hitters.
Hideki Irabu had a very good curveball. Just a straight up and down, swing-and-miss curveball.
I throw my curveball like Clayton Kershaw and my fastball like Mo'ne Davis.
Your earning ability is largely determined by the perception of excellence, quality, and value that others have of you and what you do. The market only pays excellent rewards for excellent performance. It pays average rewards for average performance, and it pays below average rewards or unemployment for below average performance.
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