A Quote by Stephen Hunter

Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman.
I always related most to Steve McQueen because he was more of an outcast than Robert Redford or Paul Newman.
With actors like Steve McQueen, Paul Newman and Harrison Ford, what made them such icons is that even in dramatic movies, their characters had a sense of humor.
The day after Paul Newman was dead, he was twice as dead.
In the middle of my third Hollywood picture The Magician, the earthquake hit Hollywood. Not the real earthquake. Just the talkies.
At the beginning of your career, it's 'Who is Paul Newman?' and then it's 'Get me Paul Newman.' Then it's 'Get me a young Paul Newman.' Then it's 'Who is Paul Newman?'
Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.
I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.
Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.
When I think of artists that I would have loved to work with, it's Jimi Hendrix. And Steve McQueen. He's not a rock star, but he's kind of a rock star to me.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
I'll never be the biggest kind of star; I'll be like Bob Duvall, respected as an actor but a lot of people can't identify the face. I don't have the personality of a big star, or the looks of a Mel Gibson or a Paul Newman, or the style of a George C. Scott.
The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.
It is easy to be mindless in America, because dreaming of and living for a better tomorrow is the American way. ... The problem is, in the second half of the twentieth century, we have gotten so good at living for tomorrow that most of us spend very little time in the present.
My four friends were John Kerr, who became a star, Paul Newman, Jimmy Dean, and Jack Lemmon.
...I don't understand this gap you see between us, but can't you meet me somewhere in the middle?" "The middle of what?" "I don't know, the middle of tomorrow and forever, the middle of life and death, the middle of normal and paranormal. Where we've always been." I bit my lip, nodding against his forehead. "There's a place for us there, right?" "Always." He put his lips to mine, sealing our own little spot in the world. Together.
Paul Newman would have been a much more important star if he hadn't always tried to be an anti-hero, to show the human feet of clay.
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