A Quote by Stephen Hunter
'New' movies are almost always hipper, faster, they mix genres aggressively, they smother their genre origins in new form, there are fewer of them, and they tend to cost a lot more money because you usually make more money on the megahit than you do on the steady progression of break-eveners. Except for the horror movie.
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A lot of low-budget genre films you see are horror movies, because horror is the friendliest movie to lack of money.
What we're talking about is the price of goods, all goods, in terms of money. That has nothing to do with unemployment, except for the fact that you get fewer goods. And when you have more money and fewer goods, the amount of dollars per good goes up. It goes up because there are fewer goods and it goes up because there is more money.
Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
I do genre films because I like them or because I need the money. I make a star's salary when I do horror because I can still open a movie in Italy or Spain or Germany.
Our company, it's, uh, really un-sexy. And I think most people get into Hollywood to be showy. We first of all make horror movies, which people turn their noses up at. Second of all, we make cheap movies, and Hollywood's a lot about ego and money and, 'My movie cost $200m!,' you know?
As a screenwriter I'm often writing in genres where there have been thousands of movies; whereas when I direct movies they tend to be in between genres. They tend to have a little bit of a genre to them, but they're really about the people, and they're people we haven't met before.
The idea that money brings power and independence is an illusion. What money usually brings is the need for more money - and there is a shabby and pathetic powerlessness that comes with that need. The inability to risk new lives, new work, new styles of thought and experience, is more often than not tied to the bourgeois fear of reducing one's material standard of living. That is, indeed, to be owned by possessions, to be governed by a sense of property rather than by a sense of self.
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.
I tend to fall more into the fun horror genre than the traumatic horror genre. I love the films where you're laughing as much as screaming, but that doesn't mean I don't like the other ones.
I think the mistake people make with horror movies and what makes them successful is a lot of horror movies get made by people who don't really like them, so they don't respect them. And when you like horror and have admiration for it, that community knows that what's important for a horror movie is important for every other kind of movie.
I think more than comedy, probably more than straight drama, I like horror. And horror I think I'm particularly good at. It's a mistake a lot of directors make, especially young directors. They always want to make the kind of movies that they most admire and aren't necessarily sensitive to what they have the best skill set for.
My own experience in the third world was that even if people started to make more money, the cost of living and housing increased often faster than the wages.
I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.
The faster we grew, the more stores we had open, the more money we made. Employees move quickly up the ranks of a company that's growing fast. Shareholders made a lot of money. If you invested $25,000 from January 1987 to January 1994, you'd have more than a million dollars. I get a lot of personal satisfaction from that.
I'm seeing more and more interesting horror come my way. More and more interesting thrillers and genre films are coming my way from the studio level, and they're financed and they have movie stars attached and all of that. But a lot of times, the storytelling just doesn't speak to me. It feels like it's still oftentimes coming out of a kind of prescribed notion of normalcy, prescribed notion of gender roles. There's not a lot of "new" seeming to be happening.
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