A Quote by Stephen King
I think most of us are fascinated by the macabre and by the weird and even the nastiness that comes along.
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Within comedy, macabre is the root, and a lot of art - Goya, Bosch, Dali - is macabre. Even Van Gogh, if he paints a chair, there's an element of the macabre within it.
My dad was always taking photos of us at home, and even on set - he'd bring us along and stick us in the photos in the background. It was almost the beginning of acting for me, like, 'Hey, you go over there and play basketball in the background, and don't even think about the camera.'
I think 'Nathan for You' is a really funny show, along with 'The Grinder' and 'Baskets.' I really like 'Man Seeking Woman.' It's the coolest show because they just do weird stuff, and it doesn't feel weird; they make it normal somehow, which I applaud. And 'Broad City' - I think those guys are awesome.
Fear is a healthy instinct, not a sign of weakness. It is a natural self-defense mechanism that is common to felines, wolves, hyenas, and most humans. Even fruit bats know fear, and I salute them for it. If you think the world is weird now, imagine how weird it would be if wild beasts had no fear.
I think most schoolboys are most excited by scorpions, spiders and snakes, and I never really grew up. I've always had the same fascinations. I think that we as human beings are the most fascinated by those creatures that we consider dangerous.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.
I was fascinated by mortality. Most people are, even if they don't admit it.
I'm an enormous admirer of Christopher Lee. He's somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol and the macabre.
Laughter isn't even the other side of tears. It is tears turned inside out. Truly the suffering is great, here on earth. We blunder along, shredded by our mistakes, bludgeoned by our faults. Not having a clue where the dark path leads us. But on the whole, we stumble along bravely, don't you think?
I think what's interesting about Alice Munro, too, is the extreme mundanity of things. And how even a life reduced to complete mundanity, like capitalism taking over rural Ontario or whatever, has complete sway over aspects of life. Nevertheless, people still have these moments of weird desperation, weird longing, weird true love, or weird, powerful lust, and that was a major inspiration for me, too.
I think true originality is perpetual. It's always rolling along. True originality is not like this award or trophy you get if you do something weird. It's with you if you have it, and it's still rolling along somewhere, you just gotta go find it. It takes time to reach that point, and understand true originality... I think we all can find it.
I don't think most people decide to become an actor because they want to be followed around all the time... I see it when I'm with my brothers, and I don't get it. I don't understand why someone wants to take a photo of us getting out of a car or on the beach. I think that's really weird.
Most of us form estimates of our intelligence, wisdom, and moral fiber that are considerably higher than an objective estimate would warrant; no doubt 90 percent of us think ourselves well above average along these lines.
My room is like an antique shop, full of junk, and weird stuff. There's a big sword in there. And a taxidermy bird, and a couple of birdcages. And a lot of newspaper cuttings. I used to have a weird thing about cutting out morbid headlines from newspapers, and collecting them. I was fascinated with drowning, which is kind of strange.
The humanities teach us the value, even for business, of criticism and dissent. When there's a culture of going along to get along, where whistleblowers are discouraged, bad things happen and businesses implode.
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