A Quote by Stephen Lang

I am very fond of the people, landscape, poetry, music, history and the Guinness. Being there makes me think of my mother and my grandmother - always sentimental and warm thoughts.
Though I was a mother at 21, being a grandmother makes the whole thing absolutely normal and gorgeous. The relief, the joy of being a grandmother is wonderful.
I studied piano from the age of three. My grandmother taught piano. I stayed at her house during the day while my parents worked. I obviously wanted to learn to play. And so she asked if she could teach me, and my mother said don't you think she's too young. My grandmother apparently said no. So I could read music before I could read, and I really don't remember learning to read music. So for me it's like a native language. When I look at a sheet of music, it just makes sense.
I am a very hardworking mother and my kids keep me fit. Also, being a working mother, you are always on the go. You always have too many things to do, so you don't have the chance to be lazy and I think that keeps me fit and motivated.
I don't care if people compare me to my grandmother. I can never be like my grandmother. Nor was my grandmother ever like me. People may compare me with her or my mother, Moon Moon. But I am cool about it.
Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.
You always need a textural landscape. I think that's what fashion is about, and I think when you come to a brand and you're trying to re-instill its history, the history only comes through being personal.
My grandmother was a typical farm-family mother. She would regularly prepare dinner for thirty people, and that meant something was always cooking in the kitchen. All of my grandmother's recipes went back to her grandmother.
I don't think my writing is sentimental, although it is a very sentimental thing to be a human being.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
[After her 18-day disappearance in 1974:] I love my husband very, very much, but he didn't ask me when he ran for mayor and he didn't consult me about running for governor. It would be nice to be asked. ... You know, I've been my mother's daughter, my father's daughter, the wife of my husband, the mother of my six children, and grandmother to my eleven grandchildren, but I have never been me. But I am now because I went away. I am a changed woman.
I am fond of music I think because it is so amoral. Everything else is moral and I am after something that isn't. I have always found moralizing intolerable.
My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.
Being half Kashmiri, it's always special for me to shoot in the valley and to be there with the locals. They are all very warm people who are very hospitable and genteel and always welcome everyone with an open heart.
When I was a little girl, I did not listen to music much. I did not think that one day I would become a rapper. I was born in a very traditional and religious family. Being a female was destroying my dreams. Slowly, first through poetry and then music, I began to find ways to share my thoughts and feelings, talk to my family and to the world.
I was never really aware of being famous. Being in a magazine or on a billboard - that really didn't register to me at all when I was younger. People would come up to me and recognize me, but I was very fortunate in that people were always so warm.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
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