A Quote by Steve Buscemi
When I was doing stand-up, I was about twenty, and I really think that that's a little too young. I didn't have a whole lot of life experience to draw on.
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Frankly, I see a lot of little girls dressed in ways I think are not very appropriate. It's too much too soon, and it causes a lot of cognitive dissonance about who they are - are they an 8-year-old, or are they a miniature fill-in-the-blank-celebrity? Parents have to draw the line.
I don't really like doing big stand-up. Whenever I do theaters, I don't like 'em. I don't think they're right for stand-up. I've seen people in theaters, and it just doesn't work, because you're talking to the guy next to you the whole time.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
I really don’t work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It’s really made the touring a lot less grueling.
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling.
I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.
We are not attracted to people because they are virtuous. In fact, there's something a little creepy about people who are too good. There is a big draw to people who are successful at breaking the rules. That means we end up admiring a lot of people that we think we shouldn't.
For me, personally, there is one really interesting thing. You're all a bit too young for that, but when you get to a certain level of experience, accumulation of experience you start slowly to once in a while get a whiff of the feeling, I'd love to be twenty years younger but with what I know and have experienced at this point.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am.
I thought I'd be doing theater, really. That's all I had experience with growing up. I mean, I saw movies and television, but I don't think I really connected at a young age that that was acting, that that was part of the profession.
I did an internship with Dove when they were doing the 'real beauty' campaign, and I was really inspired by that. Growing up in L.A., being a young woman, and seeing how the media tells young women to be everything you're not, I kind of wrote about that experience.
There's not really too many artists that young girls and young people can look up to and be inspired by. So I take it as my responsibility, sometimes, to be the person who has the voice to give people some truth about what we're doing.
I think some people have blind faith in American institutions without knowing a whole lot about them and think they will stand up to Trump and are indestructible.
When I was in college, my whole goal was to write for the 'Village Voice,' and I think I was doing that by the time I was twenty-one or twenty, so everything else has kind of been gravy, you know?
A lot of women do stand-up as a gateway into acting, but I love stand-up, and to be a good stand-up, you have to go on the road a lot. It means going to places in America where they've never seen a Vietnamese person in their life.
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