A Quote by Steve Harris
We built up a hardcore following, but we were really still semipro, gigging over long weekends and the like. So after EMI signed us, we packed in the day jobs because we had to make an album.
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Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
I discovered on school days, when they've got to get up at 6:30, they won't get out of bed. But on the weekends, they were up at 6 a.m. I was like, "Why do you guys wake up so early on the weekends?" It's like, "Because I wake up and I think, Is it a TV day? And if it is..." So we had to change that rule. I'm like, "Thank you for telling me what I need to do."
We signed with Roadrunner because, they almost signed us in '97 or something, and we've been wanting to work with Monty Connor, the guy who signed us, for a long time because he's been a huge fan of us since, I mean, in high school, when I was in high school and he was following our band.
Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
Coldplay was unknown, and we played them over and over and over again, and they were really loyal to us. They went on M2 way after they had broken and become famous, because they remembered us.
I would say I spend about an hour a day cleansing and moisturising after all of the make-up I've worn on jobs, and on weekends I tend to go bare-faced to give my skin a bit of a break.
If you wanted to pursue some kind of artistic pursuit and you had another career, then you would definitely fall back on it because it would take so long. I never believed I could do two things at once. The jobs I had were minimum wage jobs that you wouldn't want to pursue for too long, or that couldn't really take over your life.
When we came along there was only Decca, Philips and EMI who could really produce a record for you. You had to go through the whole bureaucracy to get into the recording studio. You were in such a humble position, you didn't have more than 12 hours to make a whole album, which is what we did in the early days.
We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world
When what you do is play characters, every day, all day, I wasn't really interested in playing a pop star on the weekends. I wanted to be myself, and it slowly turned into not being me at all, so I just didn't really see the point. If the music actually happens, at some point, it will be because some underground following happened, or some little elves heard it and were leaking it.
I feel like with the first 'Insidious' film we had a massive cache of stories and scares that we'd built up over the years. It was like a band, you know they say a band has forever to write their first album because no one cares.
We had similar interests with Derek Rowan and Paul Hewson; it sounds really pretentious at 12, 13 year old kids were like into art and poetry, but we were. We weren't into football, we were into making music or being into music and painting and stuff like that. And we called this sort of little gang Lypton Village and we made up imaginary games and this is one day we'll form bands and one day we'll make movies and one day we'll do this and one day we'll do that. A lot of kids do this in their own way, except 25, 30 years later legend happens because some of us have become quite well known.
We packed up all the worldly possessions we could carry with us and took the next flight to Hawaii from Washington. It took just about every cent my family had to our name just to pay the plane fare. When we arrived, we had about $15 left among us. We were really in pitiful shape. But we were together, and we were alive, and this was all that mattered.
I'll say about Fueled By Ramen is, I don't know what anyone else's experience has been, but we signed to them as Fun. We already had a fanbase, we already had music out there so when they signed us they were signing our vision. I always think it's so weird when people think that Fueled By Raman are trying to change us or mould us into something else, as we weren't a bunch of kids playing in a garage who joined a label and then collectively worked on a vision, like, they signed us with the intention of letting us be Fun.
Back in the day however, careers were strictly built on competitions, just like surfing, though surfing is changing too so you can free surf and still get paid. So I think that rivalry was really because of the fans and the media who built it up, but it did bring something exciting about the sport, just like in any sport, whether it's Larry Bird or Magic Johnson, I think it just made skating that much more exciting.
We were both into motocross. My dad would wake me up at 6:30 on weekends, brew some coffee and make some sandwiches for us. Then we'd spend the day racing together. I know he had this reputation as being wild and irresponsible, but I never saw any of that.
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