A Quote by Steve Harvey

Through a lot of conversations with the Minister [Louis Farrakhan] you've got to know when to say something. But if you are forever going to be afraid to say anything, then you become irrelevant - as a force. I mean, so the God-given gift that you got, you're not a relevant player in the game - you're just a dude whose got money, got a big house and some cars.
So some guy may know how to make money in cocoa beans, but I don't so I just let him have that. But it's got to be something I understand. It's got to be a business with fundamentally good economics. It's got to be a management that I like and trust and admire. And it's got to be a price that makes sense.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
I was not going to be an actor. I was an engineer in physics. That's what I did: I graduated with a physics degree, and I had become a little bit distressed that I'd have to work for somebody - anybody! And I thought, "I'm not going to make a mark on anything. If I can't express myself, then I don't know what the heck I'm going to do with this life." I think it was just one of those germs that said, "No, no, no, you've got to say things. You've got to tell people things. You've got to express your opinion in this life, because that's how you started."
There is a soak-the-rich attitude in the air, a feeling that if you have a lot of money you must have got it by some ghastly means. I can quite happily say there was never any family money. All the money we got was mine, just from writing books.
I'm probably the toughest (expletive) here. Ain't no question about that with me. I'm the toughest guy here... I'm clean. I mean, I ain't got no marks on me. I don't know nobody else who can say that who came out of any sport. I ain't got no marks on me, so I've got to be the baddest dude I know of.
A lot of the stories I got on A.I., I can't say publicly. Overall, I just really appreciated how he went about going into games. He got a lot of flak for the 'practice' comment, but every game, he gave it his all.
The description and explanation is the best part of music reviewing. There is such a thing, and you know it too, as a gift for judgment. If you have it, you can say anything you like. If you haven't got it, you don't know you haven't got it.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
I think some of the big characters, you know, they do these adventures, but they've got something about them, they've got this charisma, and they've got to have a sense of humor. Because whether it be very dry, or very silly, they've got to be likable.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.
Marco Rubio, as an example, he's got no money, zero.I think that's fine, that's OK, maybe it's good politically to say you owe money because you overborrowed on your credit cards. He's got nothing. I mean, he's got nothing.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
There's a lot about being "A Writer" that has nothing to do with writing. That's one thing I've discovered. You've got to meet with the sales force, and you've got to have all these luncheons, and be gracious, and you've got to give a lot of presentations and you've got to give a lot of speeches, and you've got to be on tour.
You earn money, and one day money is there -- then life says to you, 'What have you got?' But you don't listen. Now you think you have to put your money into politics, you have to become a prime minister or a president -- then everything will be okay. One day you are a prime minister, and life again says, 'What have you got?' You don't listen. You go on thinking of something else and something else and something else. Life is vast -- that's why many lives are wasted.
I actually think that the economy has got some positives. It's got the market. It's got consumer confidence and it's got banks throwing - I mean central bankers throwing money at it around the world.
I do work a lot. I mean, most of my income, I would say, comes from live performances. And then you've got publishing, you've got record royalties.
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