A Quote by Steven Sebring
We were just hanging out and getting to learn about each other. But I think trust was a really big thing. Patti [Smith] is a good friend, somebody I can talk to.
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The photograph, the clothes, the sets - this was about 1974, and I started hanging out with my friend Richard Sold, who was playing in a band with Patti Smith.
The best thing about it is getting it all out there. Whatever you have on your chest, it just feels really good to talk to somebody who you have no ties to... so I think therapy is great. I think everyone should try it out.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
We just grew to trust each other [with Patti Smith] more and more over the years. Most of the time I didn't even have a movie camera.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.
Hopefully I can inspire lots of people to learn about [Patti Smith], to read poetry or learn about William Blake or Arthur Rimbaud.
We were friends for a year before we started playing music together. We both think it's pretty important. Tyler's my friend before he's a guy in my band, and when we talk to each other about things, it comes from a friend standpoint, not just a business standpoint.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
I've worked on shows where the actors don't talk to each other, and if they want to talk to each other, they talk through the director. What kind of existence is this? If I have to spend 14 hours a day with somebody, we're in a relationship. We'd better talk it out.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
Being a teen can be tough. Just try to surround yourself with really good friends that really have your back, and also be a really good friend to those who really care about you. If you're not sure about certain things, talk to your friends that you trust and your family.
We were great mates. We didn't really go out together because we never really had the time to go out. But we were with each other all the time anyway because we were working all the time. We could sit down and talk for hours, and we still can. We just understood each other.
We (Derek Jeter and I) want to kill each other. I think we both drive each other and motivate each other. But, when we're off the field, we're like family. I think the nice thing about it is we became good friends before we even mad it to the big leagues. That makes it more of a healthy relationship.
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