A Quote by Steven Sebring

It took 12 years to put this film [Dream of Life] together, but it was not until toward the end of those 12 years that I looked at Patti [Smith] and said, "Maybe we should do something with this footage."
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
They developed a platform for me to put up another 12 years, and that was my ticket to Cooperstown. Those were the best years of my life. It was like magic.
You know, our country's being ripped apart. And let me tell you, this is largely an economic issue, too. You know that workers, hard-working people, middle class people, haven't had a salary increase effectively in 12 years, all right? So for 12 years, they're making less now in many cases than they made 12 years ago.
If I only had 12 years left to live, I'd want to live it as a member of Congress because that was the 12 longest years of my life.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
When I was 12, I wrote a legit song - about having my heart broken, of course, because I was 12 years old going on 40. I sang the song for my mom, and she asked, 'Where did you get that song?' I told her I wrote it, and she said, 'Really?' She looked at my grandparents and just said, 'Oh, boy.'
I was my mother's translator until I was probably 12 years old, and I remember how people looked at her.
I went to school for 12 years, and uni for four, but I learnt more about human existence in the 30 hours it took my first child to be born than I did in all those years of study.
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too.
All throughout filming '12 Years a Slave,' there was a focus like no other. Everyone took ownership of this film and gave their all.
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
My formative years, until I was 12, was all shaped by Jamaican culture, by that economy, by the people in my family, who are agriculturalists, who were plantation workers, who harvested those crops and took them down to the boats run by the United Food Company, to load those ships at night, hence all the songs that I sing that come from that environment.
I know the resurrection is a fact, and Watergate proved it to me. How? Because 12 men testified they had seen Jesus raised from the dead, then they proclaimed that truth for 40 years, never once denying it. Every one was beaten, tortured, stoned and put in prison. They would not have endured that if it weren't true. Watergate embroiled 12 of the most powerful men in the world-and they couldn't keep a lie for three weeks. You're telling me 12 apostles could keep a lie for 40 years? Absolutely impossible.
My first novel took 12 years to complete because life got in my way.
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