A Quote by Stewart Lee

It's interesting to me that apparently distasteful comments from the Right against weak targets tend to draw a lot less media fire than apparently distasteful comments from the Left against hard targets. That's one of the threads that runs through the show and that people hopefully pick up on.
What all this tells me is that a large proportion of the people in positions of power across Australia - politicians and media pundits included - just don't consider the beating down of women to be of any consequence. Half the time they won't even acknowledge it, let alone take a stand against it, preferring instead to gaslight women and pretend it's all in their head. Are these the kinds of people we want making decisions for us? The ones who think mockery about women's genitals is bad when it targets no one in particular, but OK when it targets the Prime Minister?
It's interesting with my blog, because it feels to me less like a blog and more like a forum, because my readers are so funny and leave hysterical comments. And I'm not being humble when I say that very often, the comments are so much better than the post originally was.
When Vladimir Putin runs up against American power and American criticism and American leadership that reminds him of what Russia isn`t, when he runs up against people who he worries are funding his dissidents or supporting protests against him, when he runs up against criticism of the way he runs his own country, what he`s running up against is the State Department.
I just ignore those who say negative comments against me. Whether I'm doing right or wrong, they would still say the same things against me.
Moveon is not a one-way broadcast media. The Internet, when used best, is a two-way media. We have a forum in which people can post comments and those comments can be rated. We get a sense of what people feel most passionately about.
Xenophobia manifests itself especially against civilizations and cultures that are weak because they lack economic resources, means of subsistence or land. So nomadic people are the first targets of this kind of aggression.
People on radio and television started making nasty comments about me and I felt awful. Turning from a teenager into a woman is hard enough without dealing with snide comments.
It is one of my targets to show people that a lot of things that are part of their landscape - that people are universal - are the result of some very precise historical changes. All my analyses are against the idea of universal necessities in human existence. They show the arbitrariness of institutions and show which space of freedom we can still enjoy and how many changes can still be made.
My social media is very strict to my character and I've disabled comments on a lot of things because why would the Aleister Black character care about comments?
People focus on the darker female characters in my books, but for every one of those, I can also show you an equally screwed up man that no one ever comments about, or a nicer woman that no one comments about.
People say that about me, that I apparently buy houses near every boy I like - that's a thing that I apparently do. If I like you I will apparently buy up the real-estate market just to freak you out so you leave me.
People say that about me, that I apparently buy houses near every boy I like — that’s a thing that I apparently do. If I like you I will apparently buy up the real-estate market just to freak you out so you leave me.
Old friendships are like meats served up repeatedly, cold, comfortless, and distasteful. The stomach turns against them.
I have targets for business achievements; I do not have targets for acquisitions. Because if you have targets for acquisitions, you end up making compromises in terms of valuations, and you buy things because you have a target, and it is not good for business.
People focus on the darker female characters in my books, but for every one of those, I can also show you an equally screwed up man that no one ever comments about, or a nicer woman that no one comments about. I don't feel like that's my specialty.
As you get older, your songwriting starts to become less and less about you, and especially when you have kids and a family. You start to see the world through other people's eyes a lot more to the point where it's hard to go back and relate to that "me against the world" perspective that I think a lot of my earlier songs were about. It's not so much about "me against the world," it's, how do you make the best possible future for your kids to grow up in?
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