A Quote by Ray Brown
The amazing thing about Sweets [Edison] was that he exactly spoke the way that he played! He was really unique, the one and only. He was one of the greatest Blues players that I ever heard and played with. Nobody can play like Sweets man, nobody! Most of us, musicians, frequently quote Sweets' phrases in our solos. Like Lester Young, Sweets had a big influence on us musicians, especially when we play some Blues.
Related Quotes
[Sweets Edison] was one of the greatest stylists in Jazz of all time. And on top of that, when you listen to him, you say 'yes, that's Sweets' and you automatically smile. This is really unique. He changed the way how to play this instrument.
Nobody else even approaches the trumpet like [Sweets Edison] does: Never too much and always plenty. He's the greatest trumpet player to play along with singers. He exactly knows how to play with you, how to answer you about what you just sang ... On top of that, he has some great sense of humor, both as a musician and as a man. Every time I see him, I'm laughing so much. Sweets is impeccable and incomparable.
I've had quite a lot of bad experiences with Japanese sweets. I reckon, Japanese...they can do most things really well but sweets, they're a bit dodgy.
A very few musicians passed across all decades. In terms of trumpet playing, Louis Armstrong does it of course but Sweets [Edison] is right up there too. He is unique, in every sense of the term.
I sing the sweets I know, the charms I feel, my morning incense, and my evening meal, the sweets of hasty pudding.
Many critics always saw and heard that my style comes from Roy Eldridge, which is true. But for many things, not only how to play the trumpet but the way to choose the notes, how to play them and how to phrase all of them, I took that from Sweets [Edison]. He really brought something new to the trumpet.
Others, again, give us the mere carcass of another man’s thoughts, but deprived of all their life and spirit, and this is to add murder to robbery. I have somewhere seen it observed, that we should make the same use of a book, as a bee does of a flower; she steals sweets from it, but does not injure it; and those sweets she herself improves and concocts into honey. But most plagiarists, like the drone, have neither taste to select, nor industry to acquire, nor skill to improve, but impudently pilfer the honey ready prepared from the hive.
The town I grew up in, there were no musicians to play with; it was just me. The town I grew up in, there was two shops: like, a paper shop that sells confectionery, sweets and stuff, and, like, a farm supplies and a petrol station. That was literally it.
Sweets with sweets war not, joy delights in joy.
You don't have to play a whole lot of guitar to be a good blues player. Some people plays too much guitar. Stack it on top of each other the way it don't - you're working too fast. Blues not supposed to be played fast. Blues supposed to be played slow. You could kill a man with just one chord.
Sweets [Edison] can say more with one note than any other Jazz player alive... an approach that stresses simplicity, glorious tone, natural potency and an unmatched affinity. He is a unique stylist in our music.
Tiffany knew what the problem was immediately. She'd seen it before, at birthday parties. Her brother was suffering from tragic sweet deprivation. Yes, he was surrounded by sweets. But the moment he took any sweet at all, said his sugar-addled brain, that meant he was not taking all the rest. And there were so many sweets he'd never be able to eat them all. It was too much to cope with. The only solution was to burst into tears.
I eat a lot of salad, a little meat, and some fruit. That's all. But I like sweets.
I eat a lot of salad, a little meat, and some fruit—that’s all. But I like sweets.
I love sweets. Like, every week of my life, I've had a cheat day.
If I write nothing but fiction for some time I begin to get stupid, and to feel rather as if it had been a long meal of sweets; then history is a rest, for research or narration brings a different part of the mind into play.
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