A Quote by Ray Wise

When I first started out on the soap, I was more theatrical, like a stage actor, a little bigger than life. As I did more and more Love Of Life, I became more natural. I learned the value of underplaying. It was a great training ground for me. There was a big difference in my style of acting from where I started with that show and where I ended, and where I ended was a good jumping-off point for doing nighttime television and movies.
I started doing more theatre because I love that and I ended up doing television. I ended up doing it.
As I got older, I went to school. I started doing plays, I learned about the craft of acting, and I started to love acting for different reasons. I think I started to love acting because it brought me closer to people and made me more compassionate.
I swear to much for this to be a television special. Did you guys ever have your mouth washed out with soap? My mom did that to me a lot. I think I swear more because of it. I started liking the taste of soap, I would eat it just to spite her. (pause) I'd bite off bars of soap.
I'm a bit multifaceted in the sense that I've got many more than one musical taste. If you think about it, I started out playing in a punk band and ended up doing electro-pop. That was more an accident than a plan.
One of my heroes is Mr. Sidney Poitier. In his autobiography, "The Measure of a Man," he talks about the difference between being a great person and being a great actor. I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second. I believe that acting is a talent while being a great person encompasses so much more: being a good father, a good husband and the ability to show compassion for others.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
When I was 12 there was a big shift in mindset and I realised that if I want to get something out of it then I need to work hard and focus all my energy just for this sport and that's when I started training and taking things more seriously. I became a lot more self-critical and analysed the driving more and more, and that was when I was 12.
I do miss the stage. There's nothing like it, nothing. When I did my one-woman show and played the Palace and played the Gershwin and all that, I did - what? - eight shows or maybe more a week. Of course you can't do anything else, and you can't run quickly for a cab in the rain, and you can't have a drunken love affair. You can't do any of that. Because you've got to be perfectly healthy. And I guess I value enjoying my life a little bit more than the discipline these days.
Shows are really great because you kind of become a family if it goes on for seasons. I started off doing more TV stuff and I really, really liked that. Then I got more into movies. They're both great, and I love doing them.
I personally hated working out when I first started, but then I noticed it was the one thing I did for myself. It gave me more energy and made me feel more confident. I started rolling with it. I love going for jogs and walks in the morning with my cousin. Sometimes we do sunrise walks where we'll be up before the sun comes up and by the time it does we're up and going. It's really nice. I also started training MMA, mixed martial arts to keep it fun. It's stress relieving.
When I started training to fight, it was more out of boredom than anything. I was looking for more things to do. I started with boxing, and my coaches told me I had a lot of potential and that I should consider making it a career. I was like, 'Whatever.' I was just 15 at the time, and I never imagined something like that.
Therefore, doing the Stations of the Cross was still more laborious than consoling, and required a sacrifice. It was much the same with all my devotions. They did not come easily or spontaneously, and they very seldom brought with them any strong sensible satisfaction. Nevertheless the work of performing them ended in a profound and fortifying peace: a peace that was scarcely perceptible, but which deepened and which, as my passions subsided, became more and more real, more and more sure, and finally stayed with me permanently.
After I did television, I just felt I didn't have any more to give to the medium. And so I went back to the theatre and started directing and producing, and found I enjoyed it as much, if not more, than acting.
When I first started acting, I started in opera and had a great desire to play grand, tragic characters. I got sidetracked in musical theater and ended up doing a lot of comedy.
I started teaching yoga in 1974 in Colorado, I was living in Winter Park, and I started teaching skiers. At that point I was teaching more of the Sivananda system and just pushing it up a little bit to make it a little more rajasic a little more active, a little more physical. People would come, and feel great, and by the time I left Colorado in 1980 I'd taught pretty much everyone in town - the ski patrol, ski instructors, the bar owners.
When I started off as an actor, the last thing I wanted to do in the world was make money. I was under the impression, when I started off as an actor, that the more money I made, the more it would diminish from my creativity and my capacity to be an artist.
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