A Quote by Stuart Dybek
From its aptly noirish title on, Martin Preib's The Wagon has rightness of authenticity about it. From the perspective of a cop he fashions a compelling view of the Chicago Algren once called 'the dark city.' There's a unique quality to his essays which manage to be broodingly meditative even as their narrative drive keeps you turning pages.
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There is always going to something very grounded about the characters I play, because of my Chicago roots, because the city is so grounded. Even my wife pointed it out when we were in the city, she said that even the architecture is grounded in Chicago, it's so solid. Because it has to deal with winters. There is something about Chicago that keeps people centered and grounded.
I will throw all my best efforts into it, my thoughts and political observations, but ultimately I want to create a narrative that keeps you turning the pages and leaves you with a sense that this thing has a reason for being there.
I've been called a point guard, I've been called a traffic cop, I've been called a ringmaster, a lion tamer, whatever. And I guess the thing about the traffic cop is I'm more of a rogue traffic cop because a good traffic cop doesn't want any fender benders.
I love a big, character-rich story with a dark heart, with a compelling mystery or some kind of ticking clock at its center. I want to be lured in by prose, captured by character, and bound by stellar plotting to keep turning the pages.
Of course, there are hundreds of novels and authors that have influenced me. But to choose three, they are: Stephen King/The Stand (and really most of his books); Anne Rice/The Witching Hour; and Pat Conroy/The Prince of Tides. These authors write my favorite kind of book - epic feel, gorgeous prose, unique characters, and a pace that keeps you turning the pages. From them, I learned a lot about characterization, pacing, prose, voice, and originality.
I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art.
Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
What keeps readers turning pages is suspense, which you can create using a variety of techniques, including tension, pacing and foreshadowing.
The city is better because the city has an economy of needs and once you're talking about a city, maybe you can start talking about how you manage the climate of that city as a whole. Not by putting a dome over it but by more passive means that can potentially be put together in creative ways.
The beach is still a public place, and that's an amazing grace about Chicago. We have so many problems, but the water always stays. That inspires me and keeps me inspired about the city and keeps me hopeful.
There are fashions in building. Behind the fashions lie economic and technological reasons, and these fashions exclude all but a few genuinely different possibilities in city dwelling construction at any one time.
While the white man keeps the impetus of his own proud, onward march, the dark races will yield and serve, perforce. But let the white man once have a misgiving about his own leadership, and the dark races will at once attack him, to pull him down into the old gulfs.
One other specific piece of guidance we've offered is that low-quality content on some parts of a website can impact the whole site’s rankings, and thus removing low quality pages, merging or improving the content of individual shallow pages into more useful pages, or moving low quality pages to a different domain could eventually help the rankings of your higher-quality content.
When I saw Daniel Bryan win the world title, that was the most incredible atmosphere, especially after Undertaker just losing his streak, which was such an awkward and weird feeling in the building. To feel the feeling of the fans once Daniel Bryan wins his title - it was... I can't even explain it.
There's really no such thing as an 'ex-cop' or a cop who's 'off-duty' or 'retired.' Once trained, once indoctrinated, a cop is always alert, assessing reality in terms of its potential for illegal acts.
The late W. Edwards Deming, guru of Quality management, once declared, 'The most important things we need to manage can't be measured.' If that’s true of what we need to manage, it should be even more obvious that it’s true of what we need to teach.
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