A Quote by Stuart Franklin

My current project was shot on film, and because of that I've spent my entire day removing dust-specks from negatives. You wouldn't have to do that on digital because you don't get dust on the scanner. I say to myself, "Why am I doing this all day?" I could have just bought a digital camera and I wouldn't have to remove dust-specks ever again. But when you move closer to a film image, it has a real truth to it. And I really like that.
Skin was earth; it was soil. I could see, even on my own skin, the joined trapezoids of dust specks God had wetted and stuck with his spit the morning he made Adam from dirt. Now, all these generations later, we people could still see on our skin the inherited prints of the dust specks of Eden.
Various studios are still shooting on film with digital grain and the DI negatives, it's not ideal. We should really be all film or all digital. But that being said, the old way of graining in the camera, now you can make changes like a painter. It's dangerous because you can ruin the film, you can over-fiddle. We've all seen films and gone 'what the hell is that?'
With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving through a machine. And there's no dust and no scratching.
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I do think it is possible to use a digital camera artistically, but it can only be good if you are using film technique. Film has grain, and digital has pixels, and there is not that much of a difference, but digital does not replace the need to create a scene and light it properly and spend time considering the shot.
Gather out of star-dust, Earth-dust, Cloud-dust, Storm-dust, And splinters of hail, One handful of dream-dust, Not for sale.
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
If we are just specks of dust hit by lightning, if we have no spark of God in us, why not just take whatever we can and devil take the hindmost? I mean, we are fools not to do that if there is no right or wrong.
And I know now that all the time I was trying to get out of the dust, the fact is, what I am, I am because of the dust. And what I am is good enough. Even for me.
Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.
When there's dust missing here or there, it's because someone has touched my things. I see immediately someone has been there. And it's because I live constantly with dust, in dust, that I prefer to wear gray suits, the only color on which it leaves no trace.
We're here, there, not here, not there, swirling like specks of dust, claiming for ourselves the rights of the universe. Being important, being nothing, being caught in lives of our own making that we never wanted. Breaking out, trying again, wondering why the past comes with us, wondering how to talk about the past at all.
The seeker after truth should be humbler than the dust. The world crushes the dust under its feet, but the seeker after truth should so humble himself that even the dust could crush him. Only then, and not till then, will he have a glimpse of truth.
The dust comes secretly day after day, Lies on my ledge and dulls my shining things. But O this dust I shall drive away Is flowers and kings, Is Solomon's temple, poets, Nineveh.
There is a difference between film and digital. Because digital, you know, it's perfect and whatever. But with film, you get depth. You get subject.
I drive a car till it turns to dust, then I sweep up the dust and ride on the dust.
Our lives are but specks of dust falling through the fingers of time. Like sands of the hourglass, so are the days of our lives.
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