A Quote by Sturgill Simpson
I lived in Japan for about two years. I spent my time equally between religiously studying Aikido in Shinjuku by day and hard partying in Shibuya and Roppongi by night. On more than a few nights, those subways were my own personal stage coach to hell.
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I lived in Japan when I was younger for about two years. I spent my time equally between religiously studying Aikido in Shinjuku by day and hard partying in Shibuya and Roppongi by night.
There was something intrinsically sad about Shinjuku. A vacuum-packed hollowness that no quantity of neon could hide. Roppongi was the same, only there the sadness was older and more Western. All that movement to so little purpose. A million strangers searching for a cure to the darkness behind their eyes in the void between someone else's legs.
I spent two years day and night in that studio trying to learn what the hell was going on.
I did stand-up comedy for 18 years. Ten of those years were spent learning, four years were spent refining, and four years were spent in wild success. I was seeking comic originality, and fame fell on me as a byproduct. The course was more plodding than heroic.
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
There is no bleaker moment in life of the city than that one which crosses the boundary lines between those who have not slept all night and those who are going to work. It was for Sabina as if two races of men and women lived on earth, the night people and the day people, never meeting face to face except at this moment.
One night in Tokyo we watched two Japanese businessmen saying good-night to each other after what had clearly been a long night of drinking, a major participant sport in Japan. These men were totally snockered, having reached the stage of inebriation wherein every air molecule that struck caused them to wobble slightly, but they still managed to behave more formally than Americans do at funerals.
You collapse a few times, and you put your head in your hands, and you say, "Oh my god, how am I gonna get through this?" You have a few of those nights, and then you get over it and you keep it moving. And those nights... As you get more used to the strain, I guess those nights are fewer and farther between. So that's the best you can hope for. It's a tough job and it's a lot to pull out of your brain.
One night my son was downstairs studying, and he had been up so late all that week, and my husband said, "I feel so sorry for him." I said, "Look, if he's going to become a surgeon" - he is studying to be a doctor - "he's going to have his hard times. I feel sorry for him too, but if he lives in this world he's going to have more hard times. He's going to stay up some more nights." I think we can't shield them from the hard times, even though we'd like to. I say to the children that I teach and to my own - I can't test the ground for you and tell you that's a safe step there.
So that between the Cape of St. Maria and Japan we were four months and twenty-two days; at which time there were no more than six besides myself that could stand upon his feet.
When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.
Even thus last night, and two nights more I lay,
And could not win thee, Sleep, by any stealth:
So do not let me wear to-night away.
Without thee what is all the morning's wealth?
Come, blessed barrier between day and day,
Dear mother of fresh thoughts and joyous health!
I remember a night when I was living in Swindon on my own, and I couldn't sit on the couch because there were two cushions, and I couldn't sit equally between them.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
I still miss the players and I miss the game and the strategy. The first couple years were really difficult. Now I realize I'll never coach again. It's still hard to go into the stadium on a game day, because it's hard to just be a fan. But it's easier now than it was the first two or three years.
I moved to L.A., and I lived in the Oakland Apartments, which is this notorious hub for actor children and their stage moms. For the first few years that I lived there, Hilary Duff and Frankie Muniz frequented the apartments. I was much younger than them at the time.
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