A Quote by Subcomandante Marcos

We think, fundamentally, that the future story of Latin America, not only of Mexico but for all of Latin America, will be constructed from the bottom - that the rest of what's happening, in any case, are steps.
If it is an element of liberation for Latin America, I believe that it should have demonstrated that. Until now, I have not been aware of any such demonstration. The IMF performs an entirely different function: precisely that of ensuring that capital based outside of Latin America controls all of Latin America.
Mexico City is the center of art and culture and politics and has been and continues to be for Latin America in a way that I think really called to me as an artistic person, as someone that was interested in the politics of Latin America, you know. God, every single famous person in Latin American history and art and politics seems to have found their way to Mexico City.
I believe that Mexico, geographically, is located in a privileged position. We serve as the meeting point with North America and the rest of Latin America.
Latin American Art is an operational term used to describe art actually made in the more than twenty countries that make up Latin America and that encompass Mexico, Central and South America, and the Caribbean.
I'd love to do some collabs or music with Latin artists and in Latin America - we're working on it! I just really love Latin America and the language, culture, foods, people, and it's a place I grew up visiting pretty often.
The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
Latin America seemed to be a land where there were only dictators, revolutionaries, catastrophes. Now we know that Latin America can produce also artists, musicians, painters, thinkers, and novelists.
There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.
I think that the feel that maybe China is slowing down means it will be buying less from Africa and Latin America. That means Procter & Gamble and Coca-Cola will sell less in Latin America and Africa. And so it is definitely related.
Immigration reform doesn't impact me personally; nothing my foundation works on does. But the truth is I have a long history of ties to Latin America. Some of my best friends are in Latin America.
As a matter of fact, Latin America's economy is almost as big as the economy of China. We're all focused on China. Latin America is a huge opportunity for America - time zone, language opportunities.
Just as it is important in Latin America to discuss ideas that come from North America, I think it is interesting for North Americans to discuss ideas that come from Latin America or Africa and do not insert themselves into capitalist interests.
I was recently on a tour of Latin America, and the only regret I have was that I didn't study Latin harder in school so I could converse with those people.
It's almost as if people think that in Latin America we're not hip to what's happening here.
What we have in Mexico and Latin America is a wide diversity of voices, but in Mexico, for example, we haven't been able to get a lot of the movies into theaters.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
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