A Quote by Sue Grafton

I spent the first twenty years of my writing career preparing for the mystery genre, which is my favorite literary form. — © Sue Grafton
I spent the first twenty years of my writing career preparing for the mystery genre, which is my favorite literary form.
I spent the first twenty years of my running career trying to run as many miles as I could as fast as I could. Then I spent the next twenty years trying to figure out how to run the least amount of miles needed to finish a marathon. And I've come to the conclusion the second way is much more enjoyable.
I don't have a favorite genre. I think 'genre' is a literary term. I don't have a favorite kind or type of movie. I like the ones that are good.
The shores of the Black Sea lend themselves to the literary genre that may be classified as 'cultural pilgrimage,' which is not just a higher form of travel writing but which has the further mission of reporting on present conditions and supplying neglected knowledge.
I spent the first part of my career trying to avoid genre because I felt like genre, in some way, was cliche.
I've been preparing [Chinese Zodiac] for seven years, spent seven years on writing the script, spent over a year on filming it.
I've always liked the idea that writing is a form of travel. And I started my writing career as a mystery novelist for adults.
The first record I spent five years writing and it was an amalgamation of all the things that happened in my life from the time I was fifteen to the time I was twenty.
For me, a play is a form of writing which isn't complete until it is interpreted by actors. But it's still a form of writing. And so most of my time is spent thinking about how to write a sentence.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
Growing up a lonely only child prepared me for the years of solitude spent as a writer; years spent in the company of people who don't exist, imaginary people you have conversations with. It's a paid form of madness, this writing stuff.
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
Science fiction is the characteristic literary genre of the century. It is the genre that stands in opposition to literary modernism.
Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story.
By embracing a label such as 'non-fiction,' the creative writing community has signaled to the world that what goes on in this genre is at best utilitarian and at worst an utter mystery. We have segregated the genre from art.
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