A Quote by Suhasini Maniratnam

Not many people know that I turned down my husband's first directorial, the Kannada film 'Pallavi Anupallavi,' something he still hasn't forgiven me for. — © Suhasini Maniratnam
Not many people know that I turned down my husband's first directorial, the Kannada film 'Pallavi Anupallavi,' something he still hasn't forgiven me for.
I know that it has been a long time since 'Punda,' my first Kannada film, released, but I was determined to wait for a good subject for my next film in Kannada.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
When we first made this whole idea this was going to be calling card film [Moon] and it was going to give the opportunity to make my first feature film. But it turned out a lot better, we just couldn't stop ourselves from going into it, and we are very proud that it turned into something that people wanted to see.
'Buguri' is a romantic film, and I play Ganesh's love interest. Initially, I had just hoped to do one Kannada film since I'm a Kannadiga. Now, I'm even learning to converse in Kannada.
As a matter of fact, I've been to Italy many times before I met my husband, which he can't even imagine that I could possibly know anything about Italian food. But, you know, Italian food's really basic, and there's so many different variations on it that what my husband did is he broke it down for me.
I was getting offers. I had just turned them down. Then I realized I should be grateful that at age 54, people were still offering me film roles.
I turned down the first script offered to me, and the second. I lay on my back one day under an umbrella, in the garden, reading the third, and wondered why I had turned down the first.
I did my first film in Kannada.
I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.
I thank you for my friends, for those who understand me better than I understand myself. For those who know me at my worst, and still like me. For those who have forgiven me when I had no right to expect to be forgiven. Help me to be as true to my friends as I would wish them to be to me.
I had a very old woman come up to me on the subway and tell me that the faces that I made in the first episode when a guy is going down on me, that she still makes those faces when her husband goes down on her.
Firoz Nadiadwala is a close friend; he was the first person who asked me to direct a film for him. I would like to have him as my producer for my directorial debut.
'DWTS' came to America and I was ranked first in the U.S. When I got the call, I turned them down. That's why I missed the first season because I felt like I was still seriously competing and it would have been distracting. They called me again for the 2nd season and I said yes. I wanted to see what it was like to do something different and here we are.
I did the Kannada film when just out of school. I didn't know anything about the South Indian film industry at that time, and I did the film to earn some pocket money. I realised then I like acting.
I remember wearing a mix of orange and yellow color salwar kameez for my first Kannada film, Maharaja.' It looked absolutely hideous and it was very embarrassing for me to sport that outfit.
Not many people know my father was an actor. He was the Artful Dodger in 'Oliver!,' and was in a film called 'Frauds,' too. It's interesting talking to him about acting, how much you can get turned down, and how not to take that as a discouragement. It's nice to have that element to relate to for us both.
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