Raja Ravi Varma was one of the few Indians who not only understood women but also represented them exquisitely in a single dimension within four frames, infusing each painting with life through the use of color.
For me, acting as Raja Ravi Varma, a legend, is not just exciting but very challenging.
When I use color, people say, "Oh he's Indian, that's why he's using color!" Perhaps this is true, Indians aren't scared of color, and perhaps that's what makes me different. But also, I personally love color, regardless of where I come from.
Ravi Varma is giving very good music.
When you write a song, most of the words you use are in black and white, and then, from time to time, you use one that’s in color. These words in color are a part of ourselves, because we give them a meaning. If you like, we give them a third dimension.
Values create dimension, but color usually receives all of the attention. When painting with oils, placing dark and light pigments next to each other can be an accident waiting to happen.
View life as a series of movie frames, the ending and meaning may not be apparent until the very end of the movie, and yet, each of the hundreds of individual frames has meaning within the context of the whole movie.
My album Pain Medicine might not make all of America feel better, but for single mothers and women who have been hurt as well as women who seek personal life fulfillment it will make them feel as if they have someone they can relate too. The obstacles and issues that I have gone through in my life are more then one could imagine so if I can make it they can also make it through anything.
Also, it was a cultural moment that wasn't being represented in terms of women who were successful and had choices they didn't have before. They needed a show that they can watch that they felt like represented them.
She sowed in my mind the idea that reality is not only what we see on the surface; it has a magical dimension as well and, if we so desire, it is legitimate to enhance it and color it to make our journey through life less trying.
I notice that Indians love to tweet about each other - will be like, yeah, go India, we're awesome, Indians are awesome, here is another example of an awesome Indian. That's a dangerous false nationalism that I am not interested in. There's a huge amount of diversity within our so-called communities; within the South Asian community, there are people who would never talk to each other.
I think that women of color use social media to make our voices heard with or without the amplification of white women. I also think that, many times, when white women want our support, they use an umbrella of 'women supporting women' and forget that they didn't lend the same kind of support.
'Mistresses' is about the lives of four women, each going through different versions of infidelity. Their longtime friendship is what gets them through extremely challenging times.
Time is the horizontal dimension of life, the surface layer of reality. Then there is the vertical dimension of depth, accessible only through the portal of the present moment.
The first thing Ravi Babu asked when we met was, did I watch horror movies? I told him it took me years to get over Ram Gopal Varma's 'Raat!'
I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
Women are as much politicians as men, and I hope that more and more women will enter public life through politics, as this would not only increase participation of women in public life but also have a salutary effect for the amelioration of women's status in India.