A Quote by Susan Howe

If history is a record of survivors, Poetry shelters other voices. — © Susan Howe
If history is a record of survivors, Poetry shelters other voices.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry.'
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written
Increasingly I think of poetry as a theatre of voices, not as coming from a single "I" or from any one position. I want to imagine voices different from my own.
A Grecian history, perfectly written should be a complete record of the rise and progress of poetry, philosophy, and the arts.
Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
The so-called lessons of history are for the most part the rationalizations of the victors. History is written by the survivors.
Happy World Poetry Day: 'The American identity has never been a singular one and the voices of poets invariably sing, in addition to their own, the voices of those around them.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
In the final analysis, animals in shelters are not being killed because there are too many of them, because there are too few homes, or because the public is irresponsible. Animals in shelters are dying for primarily one reason–because people in shelters are killing them.
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
The work is more than just about the amplification of survivors and quantifying their numbers. The work is really about survivors talking to each other and saying, 'I see you. I support you. I get it.'
My heart goes out to victims and survivors of the Hurricane Katrina tragedy and to their families. This disaster will go down in history books as one of the largest natural disasters in U.S. history.
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