A Quote by Susan Rothenberg
I think artists almost always end up turning to what's around them, what's in their environment or outside their window.
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I think the office place is always seen as such a professional, sterile environment, so there's something unusually thrilling about taking that well-behaved, polished environment and turning it upside down and shaking it up.
To 'turn around' is to end up facing the same way. Maybe that is the problem, all the turning organizations around.
Picking on people is not my sort of humour, but I think there's quite a lot of it around. We're slowly turning into a nation of bullies; manners have gone out of the window.
We're all given a window of opportunity, I think all artists are, of any genre. A window when you're truly relevant, the spotlight's on you and people are watching what you do.
Nick scowled out the window. "I have friends in Exeter already. I have-those people, you know, they hang around outside the bike sheds, they're always hassling Jamie." "Those are some awesome dudes," Jamie muttered. "Don't let them get away.
Dave Matthews, Tim McGraw, U2, The Rolling Stones - there are a lot of artists selling out stadiums around the world that we work with regularly. And end up making most of our money with those artists.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
The boats outside the window were always still I wondered if one of them would take me to the ocean.
When people see me struggling on paper, I think it invites an almost collaborative relationship with the outside world, and that includes readers and other artists.
Mothers work outside the home for many reasons; one of them is almost always because their families need their income to live up to their standards for their children.
I always think that there's a weight of prejudice from the past that gay people perhaps carry around with them. Even if it doesn't exist so much around them, they still have a feeling of being excluded, and perceived prejudice is almost as unsettling as actual prejudice.
Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes. For a record to be memorable and great, it has to have something of this quality. Exactly what that is, I don't know, but I think it has something to do with an atmosphere, an environment that is appealing and attractive. And the people that inhabit this environment have... almost a message for the rest of the world.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.
I seldom end up where I wanted to go, but almost always end up where I need to be.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
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