A Quote by Susan Straight

It's always fun to talk about a novel. — © Susan Straight
It's always fun to talk about a novel.
The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.
I won't talk to you about my family and you won't talk to me about yours. Family talk is either boring or self-pitying. Or it's Gothic, like a Faulkner novel. Who needs to talk about it? It's enough to live it.
It's fun to talk about heaven, about the throne of God and Jesus and Pop and the daughter we thought we had lost but will meet again someday. But it's not fun to talk about how we got there.
If I talk about something I either talk about it or I DO it... the minute I talk about it it's lost all it's drive and all it's fun.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I actually didn't like that feeling of being out of touch because what I do depends on being in touch. But it's fun to talk about. That's one of the real dangers of drugs: they're too much fun to talk about.
It's always fun to talk about jazz.
It's such a joy to talk to a roomful of people who have read my novel and are eager to talk about it.
The novel is always pop art, and the novel is always dying. That's the only way it stays alive. It does really die. I've been thinking about that a lot.
I know that's fun for people to talk about who are fans of the franchise, and it's fun to get to kind of have my own feelings about that as well.
The fun of reading as "an exchange between consciousnesses, a way for human beings to talk to each other about stuff we can't normally talk about."
We runners talk about having fun but I don't think anybody believes us. We talk about discipline and endurance, we take care, we exercise caution, we watch our diets and monitor our pace. We are ascetics who talk, unconvincingly, of the bracing enjoyment of self-abuse.
Why can't we talk about sex just to talk about it? Because it's fun and silly and gross and exciting and disturbing and confusing and totally hot, sometimes all at once.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
Everyone wants to talk about it, and right now music, flat-panel televisions, a whole host of new handheld devices are fun to talk about and very exciting to look at.
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