A Quote by Susanna Kaysen

What is it about meter and cadence and rhythm that makes their makers mad? — © Susanna Kaysen
What is it about meter and cadence and rhythm that makes their makers mad?
We do inherently know that poetry is about the way we speak. It's about where we pause, where we drop our words in the middle of a sentence. It's about the rhythm and the cadence of the way we speak. It's about putting that down at the end of the day.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
It's also crazy how Shakespeare has that cadence, and it's about locking into the jazz of the language, just like locking into the rhythm in N.W.A's lyrics.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
I feel that as a writer and as a performer too. I never really thought about backstory for characters. It was much more of a musical approach: You learn a melody, and then you sing it, I suppose, or you find a rhythm or a cadence that works for the material. And then it's sort of about hitting that note correctly and finding those beats.
If someone's different from you and it scares you or makes you mad, that's God telling you to take a closer look. If you're scared or mad, that's about you, not about the person who scares you or angers you.
I'm so envious of certain actors that have that natural facility to hear a cadence and the rhythm of an accent, that it goes into their brain and just comes out. Chameleon voices.
I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
It is one of the prodigious privileges of art that the horrific, artistically expressed, becomes beauty, and that sorrow, given rhythm and cadence, fills the spirit with a calm joy.
The rhythm persisted, the unfaltering common meter of blues, but the blueness itself, the sorrow, the despair, began to give way to hope.
Art itself is female - it is full of graciousness, cadence, color, rhythm. It's full of love and grace.
Writing is so much about rhythm. If you've got another rhythm in the room, it spoils the rhythm of the words.
I studied voice and piano fairly seriously during my elementary and high school days, and as such, I became very attuned to rhythm and cadence and voice.
Silence marks time, saturates and shapes African-American art. Silences structure our music, fill the spaces - point, counterpoint - of rhythm, cadence, phrasing.
If you think about it, when you listen to music, music makes you cry. It makes you happy. It makes you dance. It makes you mad. Those are the same emotions that I experience when I feel the energy of a spirit when I'm contacting the spirit and communicating with it.
Language in fiction is made up of equal parts meaning and music. The sentences should have rhythm and cadence, they should engage and delight the inner ear.
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